For more widgets please visit www.yourminis.com

Thank you for visiting the clownlink!

Monday, March 15, 2010

Call for submissions 2010 Toronto Festival of Clown

Call for submissions 2010 Toronto Festival of Clowns
From June 3rd to 6th, 2010, some of the World's best Clown and Physical performers will take over 6 Noble Street, the beautiful Pia Bauman School of Creative Movement.
ABOUT THE FESTIVAL.

The Toronto Festival of Clowns aims to bring together clowns and physical theatre artists of all disciplines and backgrounds and provide a common space to showcase their work. 
Now entering its 5th year, the festival continues to encourage the risk and exploration of the clown, hosting new and established works that inspire and delight. 
Past festivals have hosted some of North America’s top clowns, including David Craig (Roseneath Theatre, Napalm the Magnificent), Eric Davis (Red Bastard), Michelle Smith and Dean Gilmour (Theatre Smith-Gilmour), Sue Morrison (Institute of Canadian Clowning), John Turner (Mump & Smoot), and Leah Cherniak (Theatre Columbus).
Call for performers
They are looking for 4 full-length productions with a maximum show length of 60 minutes.  All forms and styles of clowning and physical theatre are encouraged to apply – Red nose, mask, bouffon, character pieces, acrobatics, et al.  Please note that the festival is not tailored towards children.
How to Apply
Your application should include the following:
  1. Primary contact name, phone, snail and email addresses
  2. The title of your piece, playwright, genre and running time
  3. Performer/company names and bios
  4. Short description of piece/Letter of intent (maximum 3 pages)
  5. Photos are very important for us to have to get some visual sense of your show/what you’re working on.  Hard copies are great or digital files – send to festival@torontoclown.com
  6. Video (optional)
  7. Technical or other special requirements (we may be able to accommodate these with enough notice)
  8. 2 cheques/money orders payable to Canada Clown:
    1. a non-refundable $25 CDN administration fee
    2. $150 production fee: This will ONLY be cashed if your show is accepted into the Festival – if your show is not accepted, the cheque will be destroyed

They must receive your application on or before Monday March 22nd, 2010 at 6:00 p.m. On or before April 5th you will be contacted regarding the status of your application.  Should your show be accepted, you will be notified at this time of performance dates and times.
NOTE:  If you withdraw from the festival after April 19th, you will lose 50% ($75) of your production fee.  If you withdraw from the festival less than one month prior to your performance date, your $150 production fee will not be refunded. 
To apply send your submission to:
  
Toronto Festival of Clowns
551 Concord Ave. #1
Toronto, ON, M6H 2R2
What you get:
  • 2 performance dates and times over the duration of the festival.
  • All performances in a newly renovated 115 seat theatre, with back stage access and a back cross
  • Basic festival lighting and sound capability
  • 2 lighting specials per company
  • A green room
  • Blanket festival publicity – the Festival has been featured in the Globe and Mail, The Toronto Star, CBC, Andy Barrie in the morning, NOW Magazine and the Festival has also served as a scouting ground for Cirque du Soleil.
  • 75% percent of the ticket money sold for your show.  Single tickets will cost $10.   
NOTE:  You must PROVIDE YOUR OWN STAGE MANAGER for your production should you be accepted into the Festival.
If you have any questions please feel free to email:  festival@torontoclown.com

The Holey Trinity of Festival Producers:
Dave McKay, Adam Lazarus, Sarah Buski

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Wednesday, February 24, 2010

I am my own commedia mask

In honor of International Commedia Dell'arte day, I took a series of self-portraits with my ibook camera that I am titling "I am My Own Commedia Mask"

Masks? I don't need no stinkin' masks! :o)


I've attached the slideshow here. But if you can't see them because you don't get flash, visit http://bit.ly/commedia_faces for the FLICKR page.

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Tuesday, August 25, 2009

Vote For Coney Island Chris! Tonight! Vote Often!

UPDATE: THE NUMBER TO VOTE FOR CHRIS:

1-866-602-4807

My good friend and hilarious clown Coney Island Chris (former Ringling Clown Chris Allison, and current head of Cirque du Jour) will be on Americas Got Talent this Tuesday 8/25/2009. (That's tonight!)

http://www.nbc.com/americas-got-talent/contestants/chris.shtml#bio

Please vote for him. You can vote up to 10 times per phone number, but you must watch the show to know which # to vote for him at.

Link to voting procedure: http://www.nbc.com/americas-got-talent/vote/rules.shtml

More about Chris: http://www.coneyislandchris.com

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Wednesday, August 12, 2009

Clown Make Monster

500 CLOWN, the genius clown trio from Chicago, has a documentary coming out about their work (and about the making of their show 500 Clown Frankenstein. Title of the show CLOWN MAKE MONSTER.

Here's the description of the documentary:

What happens to a group of clowns in a theater company that push against authority when they believe that theater itself is the authority?

Popskull Video and Darryl Miller present Clown Make Monster, a documentary web series exploring the relationships between 500Clown ensemble members Molly, Adrian, and Paul as they take great physical and emotional risks to push their own boundaries as actors, performers and clowns. Revealed in multiple episodes, the filmmakers show the method and the madness behind creating improvised based clown theater spectacles where failure is used as a learning and narrative tool for both the clowns on stage and the audience in the seats. The web series gives an unprecedented behind the scenes look at the history of the group as they create their show “500Clown: Frankenstein”, the constant evolution of their shows as they push the boundaries of theatrical convention, and their drive to train, teach, and help others through their lives as Clown Performers.

Below is the Youtube teaser for the documentary, that will come out in October.

For more information, you can also visit http://www.clownmakemonster.com

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Thursday, July 16, 2009

Jay Stewart & Big Apple Clown Care Unit/Boston

They care enough to clown around | CapeCodOnline.com

BOSTON - Wearing a big red nose and black clodhopper shoes, Jay Stewart of Harwich bungles his way — on purpose — into rooms at Children's Hospital Boston.

He and fellow Big Apple Circus clown Brian Dwyer are there to entertain young patients recuperating from surgeries and medical treatments. And while these youngsters might be considered a captive audience, they can be a tough crowd.

A young boy tells the two clowns that under no circumstances should they make him laugh out loud. He's afraid convulsive movements of his chest will hurt a port that's been installed to deliver medication.

But it's OK to make him giggle gently and smile, so Stewart and Dwyer deliver a performance that's big on magic tricks — a ripped-up paper napkin knits itself back together — and short on slapstick.

In a ninth-floor room, intense physical comedy seems to be the order of the day. Stewart has to bang into a door — hard — several times to bring the faintest glimmer of a smile to the face of a bed-bound girl. She may not have much control over what medical procedures are being done to her, but, by gum, she can make the clown dance.

In the meantime, her relatives are unleashing peals of laughter that sound suspiciously like relief.

"Every door you knock on is a completely different opportunity," says Stewart, who started doing clown work twice a week at Children's Hospital for the Big Apple's hospital outreach program two years ago. "You don't even know if they're going to let you in. I'm going to be Mr. Flexible."

Stewart, who has worked for Ringling Bros. and a circus in Japan, says this is the first clown gig where he feels he is actively helping someone.

"It's nice to lighten the mood, even for a little while," he says. As part of the team of clowns that works Children's, his goal is to change the energy in a child's room, for the better.

"Every kid there just wants to be a kid," Stewart says. "They love it when we come in and start doing things you're not supposed to do."

The first thing the clowns do is poke fun at hospital authority figures, starting with the doctors.

The name tag on Stewart's white lab coat announces that he is Doctor Mhrahfhauer. Try pronouncing that. Dwyer's name is easier: "Dr. Gon Golphin."

These "doctors" wear face paint, sing and juggle.

They bark and do breed-specific imitations for Elaina Savino, 14, of Malden, whose stuffed-animal-strewn room indicates she's a dog enthusiast.

"Well, Elaina, I'm sure it's been a real big pleasure for you to meet us," Stewart deadpans.

They do a rapid-fire hat-switching routine for a wide-eyed toddler and obey Garrett Poirier's commands to keep the hilarity to a minimum.

The trick with paper-ripping magic is to "rip up, not down," Stewart tells the 7-year-old from Wrentham. Garrett giggles when the paper magically becomes one whole piece again after his father gives the magic word, "sarsaparilla."

Stewart also plays a loving, if gigantic, nurse and is not above having fun at the expense of the child-life specialists who advise him on which children to visit.

Child-life specialist Lakeisha Ruley says she's had to deny ownership of a gigantic pair of clown underwear.

While the clowns deliver a child-safe brand of humor, sometimes they are really there to relieve the anxiety of adult caretakers, Ruley says. "If I know the parents are having a difficult time, mom and dad might benefit."

Children's Hospital also brings in magicians and musicians to entertain the children and their families and lighten the mood.

"It's not a total shock when we come walking onto the floor," Stewart says.

Working in a hospital setting two days a week wasn't on his radar when Stewart studied theater in graduate school at Wake Forest University in North Carolina.



After being cast as the fool in plays and told by a director that he did physical comedy well, Stewart went to Ringling Bros. Clown College, for which he eventually toured and taught. He met his wife and fellow clown, Kristen (Stearns) Stewart, while working in Las Vegas, and after traveling with the circus the two eventually settled with their two children in Kristen's hometown of Harwich.

The Stewarts and their two children - Karen, 10, and Nick, 8 - have their own clown entertainment act and also perform with Harwich Junior Theatre, where Karen is development director and Jay currently has a one-man show called "Elvis ... The King and Me."

Jay Stewart got his job as part of an eight-member clown troupe at Children's Hospital after trying out for the Big Apple Circus Clown Care Program.

The Big Apple has outreach programs in 18 hospitals across the U.S., and working for them takes a little bit more than clown training, Stewart says. He and his fellow clowns are trained in proper hygiene — possibly no performers have cleaner hands — and were coached on being sensitive to children's psychological states.

One child might benefit from a gentle song, Stewart says, while another young patient will get a kick out of having the whole room covered in toilet paper.

"I'm very proud to be part of the team and doing that kind of work," Stewart says. "Whoever is in that building could probably use a laugh."

To learn more about Clown Care

Visit www.bigapplecircus.org

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Monday, July 6, 2009

Clowns in Style: NY Times article about two clown's homes

Two Dell'arte Graduates get their house (and their work and their website) featured in the NY Times!

http://www.nytimes.com/2009/07/05/realestate/05habi.html

Habitats

The Traveling Circus Stops Here

Ruby Washington/The New York Times

Christina Gelsone and Seth Bloom, both clowns, rehearse in their apartment

Published: July 2, 2009

CHRISTINA GELSONE, a slender 36-year-old with delicate features and hair the color of a ripe eggplant, lay flat on her back on the bare parquet floor of her West Harlem apartment, an expectant look on her face.

Photographs by Ruby Washington/The New York Times

Christina Gelsone and Seth Bloom made three small rooms into one large space. “When Seth chose red kitchen cabinets,” Ms. Gelsone says, “I thought to myself: ‘Yes! I married the right guy.’ ”

Her husband, Seth Bloom, 34, whose dark hair shimmers with electric blue highlights, placed his palms atop hers. Then he balanced over her, almost as if he were floating in the air. The couple held the pose silently, the only sound on this quiet weekday afternoon the bird song outside their kitchen window, which offers a view of leafy St. Nicholas Park.

Ms. Gelsone and Mr. Bloom are professional clowns, and they regularly perform feats like these in their fifth-floor walk-up on St. Nicholas Terrace, a turn-of-the-century apartment house near 128th Street that in 1996 was converted into a co-op for families earning low to moderate incomes.

The onetime railroad flat, where the couple has lived since May 2008, is also their rehearsal space and office. A small room off the narrow hallway, for example, is crammed with tools of their trade like stilts, water bombs, juggling pins, soap-bubble solution and oversize balloons — not the items stashed in your average New York linen closet.

But Ms. Gelsone and Mr. Bloom, known professionally as the Acrobuffos (for a glimpse of what they look like in action, check out their Web site, www.acrobuffos.com), are hardly your average clowns.

They perform their acrobatics, mime, juggling and theatrics (but no fire-eating, Ms. Gelsone says, because it destroys your teeth) in some of the most troubled places on earth. They make annual visits to Afghanistan, where they met in the summer of 2003 (yes, they know it sounds like the start of a joke: “Two clowns meet in Afghanistan ...”). Individually or together they have also performed in Kosovo and Serbia in the Balkans, where memories of past conflicts are still vivid.

“We’re sometimes the only Americans without guns that people have seen in these places,” Ms. Gelsone said that afternoon after scrambling up from the floor and settling herself next to her husband beside a low stained-wood coffee table bought for $350 at My Little India, a store in Brooklyn that sells Indian imports, and one of the priciest items in the apartment.

“You’re just a little clown going over there. But what we do is offer people a chance to release their emotions, which is the first step to recovery.

“Sure, you can build a hospital and get a plaque with your name on it,” she said.

And Mr. Bloom added: “Hospitals and infrastructure are part of what’s needed. But people need to be people. What we do lets kids dream. What we do lets them imagine a future.”

The two were a professional couple for several years before becoming a romantic one, in part, as Ms. Gelsone explained, “because it’s a cardinal rule — never date a clown partner.”

“You can find a date anywhere,” she said. “But a clown partner? Not so easy.”

By spring 2007, however, they were living together in an apartment opposite their current building. By that Christmas, after a pageantlike wedding in the Chinese city Hangzhou, for which Ms. Gelsone wore a dress made of white balloons, and a honeymoon in the Wakhan Corridor of Afghanistan, one of the most remote parts of the world, they had found their home on St. Nicholas Terrace.

Their apartment house is more than a century old, but was rejuvenated by a city program that established it as a Housing Development Fund Corporation. Under this program, buildings owned by the city are renovated and the apartments made available to families whose annual earnings fall under a prescribed level.

The goal is to help families of relatively limited means become homeowners, and the impact in minority neighborhoods like this one has been considerable.

The program’s ideological underpinnings appealed to the couple (Mr. Bloom ended up as vice president of the co-op board). And to a couple that earns $50,000 to $70,000 a year — clowning isn’t the most lucrative of professions — the deal was attractive financially.

They bought their six-room apartment in May 2008 for $262,000; their monthly maintenance is $615. They set about transforming it into a space that would accommodate their not-so-traditional lifestyle. To create an area in which to rehearse, they collapsed the three small front rooms into one spacious area and redid the floors, each of which had been built at a slightly different level, to make one continuous expanse; renovations came in at just under $20,000. They furnished the room with items from Ikea (cheap) and tatami mats (easily stacked and stashed). During the day, when most of their neighbors are out, they can do handstands and pratfalls to their hearts’ content.

As a gentle homage to their time in China, they painted the kitchen in red, gold and blue, the colors of the Forbidden City in Beijing.

“When Seth chose red kitchen cabinets,” Ms. Gelsone said, “I thought to myself: ‘Yes! I married the right guy.’ ”

They find the ungentrified nature of their neighborhood appealing. People barbecue in the back of their buildings, play music on the street, and are so chatty, it can take 15 minutes to collect the mail.

“Where we travel, life happens on the street,” Mr. Bloom explained. “This is more like the rest of our lives.”

While their professional center of gravity lies thousands of miles away, the apartment is alive with images and paraphernalia that evoke their life on the road. These include not only the clowning tools in the closet and the grinning papier-mâché masks that Mr. Bloom has created using a plaster mold of his head, but also his vibrant color photographs, displayed on the living room walls, which provide a vivid record of the couple’s travels.

The scenes from Afghanistan are especially compelling.

There are pictures of boys with a jug, selling glasses of water for one afghani (two cents) apiece. There is an image of boys playing soccer in front of the old palace in Kabul and another of a traditional Central Asian sport called buzkashi that is played on horseback and involves tossing around a dead goat.

One of the most joyous images shows a girl from a Kabul orphanage standing on a pair of borrowed stilts and looking exultant.

“She was up there for four or five hours,” Mr. Bloom said. “She said she never wanted to come down.”

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Friday, May 29, 2009

Acme Flea Circus This Weekend- Hastings on Hudson

Pardon the shameless commercial interruption, but my show, the Acme Miniature Flea Circus will be performing at the Hastings-on-Hudson Popcorn and Puppet Festival on Sunday May 31. Showtime is 3:20 pm

The Festival runs 3-5 pm at the MacEachron Waterfront Park, 1 River Street, Hastings-on-Hudson. The park is right next to the Hastings-on-Hudson Metro North Station., about 30 minutes from Grand Central, and about 3 stops from the downtown Yonkers line.

other performers include
The Sourdough Philosophy Circus ( Bread and Puppet Theater)
Soup
Puppet Junction
Cosmic Bicycle Theatre
The Himilayas Band

Tickets: $8 for adults, $5 kids, $30 for families of 5 or more.
(rain location: Hastings High School Gym)

For more info, including directions, visit: http://www.rivertownsguide.com/puppet.php or http://www.trainedfleas.com

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Wednesday, April 29, 2009

Dreams- Circus in One Act in Chicago (through May 17)

The Actor's Gymnasium is a think-and-do tank for physical theatre in the Chicago area. They offer classes and performances for all ages and skill levels, from children to beginner adults, and even professional level performers seeking a weekly workout. In addition to teaching, the Actor's Gymnasium also produces shows that feature physical theatre (and their students!)

The show that they are creating this time is entitled DREAM, and it is based on a number of original dreams and pieces created by students of the Actor's Gymnasium. The dream sequences include stuffed animals and dolls coming to life, being caught in your underwear and a knock on the door with nobody there. All the acts are original pieces developed by the cast. Among the acts include trapeze, unicyclists, clowns, contortionists, and a host of other circus and physical theatre acts.

The circus features the Actors Gymnasium's Elite Teen Circus Ensemble and Lauren Hirte from the Lookingglass Theatre Company, along with a couple of Dell'arte alum Paul Lopez and Will Howard. It also will debut original music by Greg Hirte.

Show times are 7:30 p.m. Fridays, 4:30 and 7:30 p.m. Saturday and 2:30 p.m. Sunday. Tickets are $20 for adults and $10 for kids.

The show will be performed at the Noyes Cultural Center, 927 Noyes in Evanston, a northern suburb of Chicago. For tickets or details, call (847) 328-2795 or visit www.actorsgymnasium.com.

You can also read an article about the show in the Chicago Sun Times

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Wednesday, April 22, 2009

Opening Weekend! CRACKED ICE at PS122

Cracked Ice Banner
Don't miss the world premiere of:

"CRACKED ICE
or THE JEWELS OF THE FORBIDDEN SKATES!"

A new play by Jennifer Miller
with additional text by Deb Margolin
In this glittering theatrical extravaganza, the infamous juggling duo, The Liberty Sisters, have been fleeced by an evil ponzi schemer. Sybil and Statua Liberty embark on a mad-cap tour of revenge...but they aren't the only ones after the greedy crook. Mistaken identities, missed opportunities, star crossed lovers and variety hall numbers all combine to bring East Village high camp back home. It's tragedy, it's farce, it's mystery, it's mayhem...it's "CRACKED ICE or JEWELS OF THE FORBIDDEN SKATES!!"

April 25-May 10
Performance Space 122 -- First Avenue and 9th Street, NYC
Wed-Sun at 8pm
With additional late show, Sat, May 9 at 11pm.

Special performance to benefit Circus AMOK!
on Sunday, May 3 at 8pm.


Starring: Jennifer Miller, Ashley Brockington, Tanya Gagne, Sally May, Adrienne Truscott, Carlton Ward, and Rae C. Wright.
Music by Kenny Mellman.
Design by Jonathan Berger.
Set Paintings by Mila Geisler.
Choreography by Faye Driscoll.
Prop Design by Jesse Proia.
With additional text for Bernie Madoff by Deb Margolin.
Special surprise guest artists each night, including Scott Heron, Jennifer Monson, Novice Theory, Jenny Romaine, and many more!
CLICK HERE FOR TICKETS TO REGULAR PERFORMANCES:
Use code "FF12" to buy single tickets for only $12
Use code "FF241" to buy two or more tickets for only $10 each!!!
(2 for $20, 5 for $50, and so on.)

TICKETS FOR BENEFIT PERFORMANCE:
Benefit performance tickets are ONLY AVAILABLE at the Circus AMOK! website. Benefit tickets are $50, $75 or $100 and include a post-show reception with the cast and creative team, as well as exclusive AMOK schwag!

"Cracked Ice" tickets are regularly $20.
Obligatory Fine print: discounts based on limited supply; blackout dates may apply; may not be combined with other offers or applied to previous sales; may be discontinued at any time so book now and save!


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Sunday, April 5, 2009

Fools on Fire Cabaret April 18

Dead Herring and Fools on Fire Present a Benefit Cabaret
141 South 5th Street, 1E
Brooklyn NY 11211

Saturday April 18th
Doors at 8pm, Show at 8:30
$10 (includes 1 free drink)
Good Food and Drink!


Lineup:

ZeroBoy
www.zeroboy.com
'Coney Island of the Mind' piece. Follow along as Zero Boy takes his nephew and the audience on a magical cartoon like audio tour of coney island past, present and future
The Lady's Circus
Static Trapeze
http://www.ladycircus.com
Mike Dobson
Balloon Bongo Drums
http://www.youtube.com/watch?v=2-nBRlZ61AA
http://www.mikedobsonmusic.com/live/
Spencer Novich and Brett Alters, Clown Duo:

http://brettalters.com/
http://www.youtube.com/Snovich1
Mitchell "The Human Jukebox" Yoshida
For a dollar, he'll play on his accordion your request of ANY pop song EVER.
Sapphire Jones
www.myspace.com/worldfamoussapphirejones
Comedic Burlesque
And your hosts Jeff and Buttons
youtube.com/jeffseal
http://newexcitementcomedy.com/

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Friday, March 13, 2009

Acme Flea Circus Featured on Chicago Television.

My show was recently featured on Chicagoland Television.

Here's an embedded video of it. If you can't see the video, visit their website.


I've started a new blog to house reviews of the flea circus at

www.acmefleacircus.blogspot.com so feel free to check that out also. It even includes a couple of people who blogged about seeing the show.


Not sure how long the video will be up for, so view it quickly!

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Friday, February 6, 2009

ClownLab show- Feb 13, 14 (NY)

Jef Johnson is a principal clown in the international touring company of Slava’s Snowshow. As Clown, he has also toured with Cirque du Soleil. Jef has more than 20 years of experience working in a wide range of physical styles. His approach is rooted in subjective expression, physical expression of condition through impulse and reflex. He has studied corporeal expression from disciples of Grotowski, Suzuki, Marceau, Decroux, Lecoq, Meyerhold, M. Chekhov, Vakhtangov.

He teaches a Clown Lab in NY on a fairly regular basis. The product, or clinical trial, as he prefers to call it, of one of those Clown Labs will be coming up on Feb 13 & 14.

I haven't studied with him, so can't really say what his teaching style is like. His website and (clown journal) was a bit too impenetrable for me to figure out exactly what he is all about.

With most things like this, the best way to figure out if you want to study with him is to go see some of his work. Here are the details to check it out for yourself.

Clownical Trials
In situ modulation using perception action coupling and combined object vectors.

THEATERLAB
137 West 14th Street
New York, NY
February 12-13 at 8 pm
$10.00 Reservations: 212-929-2545
Featuring: Golan, Kathie Horejsi, Julie Josephson, Michaela Lind, Andrew Valins

Jef Johnson's CLOWN LAB is dedicated to the exploration of the mechanisms underlying the nature of clown through behavior, experience and creative association. This is a clinical trial. Real humans will be used.

To find out more about Jef's work, visit his website listed below:

http://www.nyclown.com

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Tuesday, February 3, 2009

Big Apple chooses new artistic director

Big Apple Circus has chosen as its new artistic director (to replace Paul Binder, who is retiring) their performance director Guillaume Dufresnoy.

Dufresnoy, a former aerialist, has been with the show since 1992.

Full story here:

http://www.dailyrecord.com/article/20090202/COMMUNITIES39/902020326

You can find out more about the Big Apple Circus, including their latest show "The Play's The Thing" at their website, http://www.bigapplecircus.org

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Thursday, January 8, 2009

Flea Circus will make Chicago Premiere Feb 26-28, 2009.


I'll be performing the Chicago premiere of the Acme Miniature Flea Circus in February at a great museum/arts center. The Intuit, which is the center for intuitive and outsider art. Kind of like the Museum of Visionary Art in Baltimore or the Museum of Jurassic Technology in L.A., the Intuit celebrates who have a singular dedication to their work, and an amazing amount of creativity and devotion to their artistic vision.

I'll be appearing in conjunction with an exhibit by the works of self-taught Chicago artist Joseph Yoakum.

For more information, see the Press release:
http://www.trainedfleas.com/intuit.html
You can also purchase your tickets by clicking below!




Acme Miniature Flea Circus
Thursday, February 26, 6:30pm
Friday, February 27, 6:30pm
Saturday, February 28, 2:00pm, 4:00pm and 6:00pm

Tickets are $12
$10 (members/seniors/students/unemployed)
$8 for children under 12

Intuit will present the Acme Miniature Flea Circus as a tribute to Chicago self-taught artist, Joseph Yoakum. The work of Joseph Yoakum will be featured in a solo exhibition from January 16 – June 27, 2009 at Intuit. Yoakum’s visionary landscapes were inspired by his world travels, and served as a record of his memories. Adam Gertsacov, a graduate of the Ringling Bros. Clown College and owner of the Acme Miniature Flea Circus, will bring his stars, Midge and Madge, to Intuit. Part sideshow, part exhibit, and a whole lot of fun! Midge and Madge will pull golden chariots, walk a high wire, and blast out of a cannon. According to the New York Press, the performance will “amaze and astound even the most cynical and nearsighted of visitors. WATCH! As Midge and Madge pull a tiny chariot! GASP! As they frolic on the tightrope!”

Please indicate which performance you would like to attend.
Non-Member
Member / Discounted
Kids


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Sunday, December 14, 2008

PRESS RELEASE: Aga Boom in Toronto Dec 30-January 3


Show One presents
AGA-BOOM
An Explosion Of Surreal Silliness!
Bluma Appel Theatre, December 2008

"Aga-Boom, one of the most creative shows to heat Vegas in a while, is perfect for the entire clan."
Las Vegas Sun

Get ready for a big BOOM in fun! Show One is proud to announce that the critically acclaimed clown show AGA-BOOM will make its Canadian premiere in Ontario this holiday season. Created by veterans of Cirque du Soleil and rooted in the European style of clowning, AGA-BOOM is a riotous mix of bold physical comedy, sophisticated stunts and delicious disarray.

"Masterly clowning." New York Times

Clever, messy and outrageously fun, AGA-BOOM cuts through the barriers of language and culture to dazzle audiences of all ages.

Taking its name from a play on boomaga (the Russian word for paper), AGA-BOOM begins and ends with scenes about paper, starting with a small piece stuck to someone's hand and escalating into a huge paper fight. In between is joyful chaos that features inflated garbage bags, juggling suitcases, enormous rubber balloons and lots of audience participation.

"The kids in the audience were on cloud nine, but hardly more so than the adults." Los Angeles Times

AGA-BOOM combines physical comedy, mime, poetry, circus arts and experimental theatre to create a kooky, kinetic entertainment experience. AGA-BOOM is the brainchild of creator/director DIMITRI BOGATIREV who, together, with wife and co-star IRYNA IVANYTSKA, and cast mates PHILIP BRIGGS, ELENA NEKRASSOVA and ANTON BOGATIREV, are true masters of mayhem!

Show One presents
AGA-BOOM
Tuesday, December 30, 2008 - Saturday, January 3, 2009
Show Times: 1pm & 7pm (December 31 @ 1pm only, dark January 1)
Bluma Appel Theatre, St. Lawrence Centre for the Arts
27 Front Street East, Toronto, ON
Tickets: $39/$49/$65 o Family Four Pack: $189 (plus applicable service charges)
Box Office: 416.366.7723/1.800.708.6754 or online at www.Ticketmaster.ca/showone
Thanks to Alex Shnaider's generous contribution,
a portion of the proceeds will be donated to The Hospital for Sick Children
AGA-BOOM will also play in Hamilton at Hamilton Place, December 26 & 27, 2008

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Monday, October 6, 2008

A Play about Clowns

The NY Times had a recent review about a play that features clowns. It's not a clown show-- it's not a clown show, it's a play, that is about a clown.

Sounds really interesting.

Wide-Eyed New Arrivals Falling in Love With the City


By ANITA GATES
Published: October 3, 2008

From Clownlink
If you are a true New Yorker (something that can be measured by purity of passion as much as by length of residence), a play that begins with balloon animals talking to each other in squeaky voices may not sound like your style. That just shows how much you (and I) know.

Saviana Stanescu’s “Aliens With Extraordinary Skills” is an enchanting piece of theater, a paean to New York that just happens to include balloon animals. It’s a simple two-boys-meet-two-girls story about a pretty clown from Moldova (between Romania and Ukraine), her wild-and-crazy-guy clowning partner, an aspiring Dominican actress and an all-American musician trying to find himself. As well as two immigration agents who, suspecting a green-card-motivated marriage, ask the bride questions like “What’s his mother’s bra size?”

Natalia Payne is adorable as Nadia the clown. Her supporting cast (Seth Fisher, Jessica Pimentel, Kevin Isola, Shrine Babb and Gian Murray Gianino), directed with great zeal by Tea Alagic, couldn’t be sharper, and Ms. Stanescu’s dialogue is flawlessly observant.

Nadia and Mr. Fisher’s Borat (yes, like the Sacha Baron Cohen character) want to perfect their English. She tries to remember the word for “when you are like really energetic and full of life.” Borat suggests “outrageous.” No, Nadia says, she thinks the word is “outgoing.” Borat says, no, “That’s when you go out a lot.”

“Aliens” shows us the world of Albanian taxi drivers, the Hot Pink Pussycat club and Craigslist. But it’s Nadia’s love affair with New York that fuels the action. She wants to go to the restaurants she saw on “Sex and the City.” She plans new birthday party tricks because “the kids are smart there.”

Borat’s take on New Yorkers is different. “They work like 14, 16 hours a day,” he says. “They are a bit like zombies, you know.” But Nadia is a true believer. She loves the city even when it turns out that sometimes cool guys at parties in SoHo can treat the hired help like prostitutes.

I’ve always believed that the special energy people talk about as New York’s essence comes from all those newcomers’ hopes and dreams in the air. “Aliens” pays tribute to that energy and at the same time radiates tons of its own.

“Aliens With Extraordinary Skills” continues through Oct. 26 at Julia Miles Theater, 424 West 55th Street, Clinton, (212) 239-6200, womensproject.org.

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Monday, August 18, 2008

Kenny & Brenda Ahern

Kenny Ahern is a clown and performer based in LaCrosse, Wisconsin. A graduate of Ringling Clown College, Kenny has also studied with Bill Irwin, Chris Bayes, and Pavel Groditsky of the Soviet School for Circus and Variety Arts.

Kenny has been performing for nearly 25 years. He does a number of shows aimed at the corporate, educational, and family markets. He has two shows aimed at school age audiences "Through the Eyes of a Fool" and "School Matters."

His theatre show "A Slippery Universe" is designed for proscenium stages. Kenny also has his own Variety stage that he brings to fairs and festivals.


His corporate work features original shows created specifically for a company, as well as a show titled "A Day In The Life" which features parodies of the life of an office worker.

Kenny has also taught clowning at a number of places, including schools, clown camps, and Ringling Clown College.

Kenny's wife Brenda is also a graduate of Ringling Clown College. Currently an elementary school teacher, she also presents shows to libraries and schools throughout the Wisconsin area.

To find out more about Kenny and Brenda's work, please visit his website listed below:

http://kennyahern.com/

They were also featured in a recent article in the Watertown Daily Times.
Read the article
(Please note, this article may go away after a few days of this post.)

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Monday, August 11, 2008

Circus Amok Summer Schedule


Circus Amok, New York’s radical, community oriented, political free Summer in the Parks Circus is up and about again for summer 2008.

This year's show is called "SUB-PRIME SUBLIME" and will feature the following:

Acrobatic Economists, Fantastical Free-Falling Free Markets, Tenanacious Tenants, Querelous Quarks, Neurotic Neutrons, Vaulting Villains, Stupendous Stilters, Disco Dorothy, Lions and Tigers and Zebras Oh My!

They will be performing throughout the five boroughs of New York, primarily in the parks from Sept 5-28.

Here's the schedule:


SAT, SEPT 6 – UPPER WEST SIDE – Riverside Park - 2pm & 5pm
79th Street & Riverside Drive

SUN, SEPT 7– CONEY ISLAND, BROOKLYN – Coney Island - 2pm & 5pm
West 10th Street & Surf Avenue

MON, SEPT 8– EAST NEW YORK, BROOKLYN – MLK Park - 5pm
Miller & Dumont Avenues

WED, SEPT 10 – FT GREENE, BROOKLYN – Ft. Greene Park - 5:30pm
Myrtle Avenue & St. Edward's Street

FRI, SEPT 12 – SOUTH BRONX – St. Mary's Park - 5pm
St. Ann’s Avenue & St. Mary’s Street

SAT, SEPT 13 – LONG ISLAND CITY, QUEENS – Socrates Sculpture Park - 3pm
Broadway & Vernon Boulevard

SUN, SEPT 14 – PROSPECT PARK, BROOKLYN – Prospect Park - 2pm & 5pm
Enter @ 9th Street & Prospect Park West
Show is at the base of the grassy hill near the dog beach.

WED, SEPT 17 – LOWER MANHATTAN – Columbus Park - 5:30pm
Mulberry & Worth Streets

FRI, SEPT 19 – SUNSET PARK, BROOKLYN – Sunset Park - 5:30pm
6th Avenue & 41st Street

SAT, SEPT 20 – GREENWICH VILLAGE – Washington Square - 2pm & 5pm
University Place & Washington Square South

SUN, SEPT 21 – HARLEM – Marcus Garvey - 2pm & 5pm
Madison Avenue & 122nd Street

WED, SEPT 24 – WILLIAMSBURG, BROOKLYN – Bedford Playground - 5pm
Bedford Avenue & South 9th Street

FRI, SEPT 26 – LOWER MANHATTAN –Battery Park - 1pm & 5pm
Castle Clinton Plaza

SAT, SEPT 27 – LOWER EAST SIDE – Seward Park - 4pm
Canal & Essex Streets

SUN, SEPT 28 – EAST VILLAGE – Tompkins Square - 12pm & 3pm
Avenue A & East 7th Street

Visit WWW.CIRCUSAMOK.ORG for late-breaking news and weather updates


They are also seeking volunteers for each and every show. You can run away and join the circus for the day. If you'd like to join them for the day, please send an email to circusamokinfo@gmail.com, or call 802-274-0502.

SEE YOU AT THE SHOW!!
================================

CIRCUS AMOK is NYC's internationally-acclaimed one-ring FREE traveling circus. Since 1994 they've been bringing fabulous, political circus spectacle to more than 10,000 diverse audience members in the parks of NYC each season. From East New York to the East Village, Jamaica to Harlem, CIRCUS AMOK dazzles audiences with their mix of circus skills and variety arts, puppetry and music, glitter, grime and glamour as they tackle tough issues that touch New Yorkers: immigration, affordable housing, quality public education, police-community relations, healthcare for all.

For more info, visit http://www.circusamok.org

Here's a video from YouTube:

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Sunday, August 3, 2008

Get Your Bouffon On!: Drop In Bouffon Classes in NY Mondays.

Through August 28, Audrey Crabtree (co-organizer of the NY Clown Theatre Festival at the Brick and who plays Laura in the Hilarious Bouffon Glass Menageree) , is hosting a drop in class in Bouffon. Mondays, 8-10 pm, Classes are $10 each, 521 West 26th Street, 2nd floor (between 10th and 11th)
(More info below)

For those not in the know, Bouffon is a clown style that is perhaps best described as what happens when birthday clowns are hit with a dose of gamma ray radiation, and turn evil, misanthropic, and MORE than a little sinister. And yet somehow, they still manage to be very funny.

The form was re-captured from a French Renaissance tradition, and re-created by renowned clown teacher Philippe Gaulier in the 1970's-80's. Since then a lot of people have come to study and create bouffon characters and plays, and create theories about the Bouffon.

Eric Davis (The Red Bastard, who directed above mentioned Bouffon Glass Menageree) writes in a description of one of his classes:

While the clown is completely vulnerable, the bouffon shows no vulnerability. He exists to mock the society which has cast him out for being deformed. (this could be physically, spiritually, socially?) The Bouffon is the manipulator. Deformed, yet charming. Grotesque, yet beautiful. He is smart, entertaining and like the most brilliant idea, or deadly of viruses — utterly infectious. A bouffon's perfect day? While making a mockery of the mayor to a huge laughing crowd, the mayor wanders by to see what all the fuss is about. When the mayor sees that the crowd knows who he really is, the mayor has a heart attack and dies. Hip Hip Hooray!


And Trav S.D., vaudeville historian and theatre critic, describes it this way in an article about aforementioned show:

The novice is immediately misled by the similarity of the form’s name to “buffoon.” But that is a blind alley. “Bouffon” is to “buffoon” as a wet gremlin is to a dry one. To complicate matters, many bouffon practitioners are also clowns, and similarities exist between the two forms. The get-ups and behavior are grotesque; laughter is produced. But if these are clowns, they are cousins to Stephen King’s “Pennywise”, or the real-life John Wayne Gasey, that inveterate serial killer and sometime children’s birthday party entertainer. No one is jolly in bouffon. The carnation squirts acid; the joy buzzer releases a thousand volts. One laughs uproariously throughout, but one is constantly checking oneself: “Was that okay? No, that wasn’t okay. It goes against everything I’m supposed to think and feel as a civilized human being. If I laugh, it must be because I am possessed by devils”. Actually, one only starts to think those thoughts before being cut off by the next appalling remark or action onstage.
All this by way of saying that if you are interested in bouffon, the drop in class that Audrey is running is definitely the place to be.

Here's the class info. Enjoy. Or spread your infection (whichever is more appropriate to you!)

Bouffon Workout Lab
Drop-in
“So I have studied bouffon…now WTF do I do with it?” Come to this weekly drop-in Lab! In this playful and supportive environment, we will begin with warm-ups, bouffon basics, and we will focus on the creation and showing of new material, development of character, and group work, led by Audrey Crabtree. Looking for people who have a bouffon base and want to expand on it.


Get your Bouffon On
! Monday nights July 28th-August 25th 8-10pm $10
Week202!
Last week we had a lot of fun, and found out 2 hours is a very short time. Please bring a costume to play in. I will be there early to stretch outside-the closer everyone is to a little before 8pm the better. This week we will warm up, play together and spend the last 30 minutes showing some material that people would like feedback on.
Here is the location:
The FAR Space
521 West 26th Street, 2nd Floor
Between 10th and 11th Avenues
Chelsea neighborhood of Manhattan
Cell phone for more info: 917653-1547
Important do NOT the use elevator walk up to 2nd floor and ring buzzer.

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Friday, July 18, 2008

Historic & Triumphant Return of the Flea Circus to Coney Island

A little bit of a shameless plug, but truthfully, I've done most of my best work by being shameless. It's when I get shameful that I have to worry!

Anyway, it's probably the last flea circus gig before the baby is born (unless something happens in the next week!) so come check it out if you can!

Click the image for a larger poster.

The Flea Circus Returns To Coney Island!


Coney Island Flea Circus Poster ==============================

WHAT: Acme Miniature Flea Circus at the Coney Island Museum

WHERE: Coney Island Museum, 1208 Surf Ave. Brooklyn NY 11224-2816

WHEN: Sunday July 27, 2008 at 4pm.

COST: $5

MORE INFO: http://www.coneyisland.com

MORE INFO: http://www.trainedfleas.com/coneyisland.html

CALL: 718 372 5159

ELECTRONIC PRESS RELEASE: Press Release PDF (707K: must have Adobe Reader)


PUBLICITY PHOTOS: Press Images of the show

============================

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Friday, July 4, 2008

Seattle Clown Classes with Arne Zaslove

Arne Zaslove is teaching a class on clowning and physical theater in Seattle on 7 consecutive Mondays starting July 7. Classes will be held from 7 pm- 8:30 pm.

Classes will be held at [SANCA] The School for Acrobatics and New Circus Arts – 674 S. Orcas, Seattle. The class is a very reasonable $133.

Arne Zaslove is a director, teacher, mask specialist and physical theater consultant. As a Fulbright scholar, Arne was the first American to study at Ecole Jacques Lecoq in Paris. There he absorbed a deep understanding of masks and of physical theater. He later apprenticed with commedia dell' arte master Carlo Mazzone-Clementi (who went on to found the Dell' Arte School of Physical Theatre in Blue Lake).

Arne's method of training actors was synthesized through years as Artistic Director of the National Theatre School in Canada, co-founder of the University of Washington PATP program, and Associate Professor at the University of British Columbia. His approach focuses on freeing the individual's body and imagination through a carefully devised sequence of physical exercises, mask work and improvisation. His students have gone on to varied and successful careers, from the circus to Stratford and Hollywood.

Arne has directed and taught in many regional theaters and universities across the U.S. and Canada. During his 20-year tenure as Artistic Director of the Bathhouse Theatre in Seattle, his updated Shakespeare productions and 17 versions of The Big Broadcast (a tribute to the golden age of radio) were especially popular with audiences for their sensitive interpretations and inventive flair. Arne has also worked extensively with David Shiner, and directed the cabaret/theatre/dinner show Pomp, Duck, and Circumstance, which has been featured in Berlin, Seattle, and San Francisco.


To find out more about the class, contact Tara Jensen at SANCA 206-652-4433 or visit the website listed below:
http://www.sancaseattle.org

To find out more about Arne Zaslove, follow the link below:

http://www.zaslove.com

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Friday, June 13, 2008

FUNAMBOLIKA 2008 (Italy July 5-8)

logo funambolika


locandina Funambolika 2008 is the 2nd edition of the summer circus arts festival particularly focused on clowns, and conceived by Italian clown and director Raffaele De Ritis.
It takes places in Pescara, in the Abruzzo region of Italy, in the open-air Teatro D’Annunzio on the Adriatic beach. This is the same 2000-seats arena where Pescara Jazz, one of the oldest and most prestigious jazz festivals in the world takes place (www.pescarajazz.com). Funambolika is organized by the same company

Last year's festival featured Jango Edwards and David Larible. This year's festival will have three evenings of entertainment:







July 5
DUEL
(Paul Staicu, piano – Laurent Cirade, cello)
The comedy musical revelation of last year’s Edimburgh and Avignon Festival


duel


July 7
PETER SHUB
T
he legendary clown with his solo theatre show “Nice Night for an Evening”

shub


July 8
GRAN GALA DU CIRQUE
Guest star: Andrei Jigalov
An evening of international circus acts (from Monte Carlo Festival, Kiev School, Moscow Circus, Cirque du Soleil appearances) including among others juggler Boul, acrobat Maxim Popazov, contorsionist-swimmer Aqua and others, around a special guest star: clown ANDREI JIGALOV, the king of contemporary russian laughmakers.

gran gala

jiga


Pescara is a ten minute drive from Aereoporto d’Abruzzo (www.abruzzo-airport.it ), and is easily connected to via many major cities. For all other destinations, the Rome Fiumicino airport is 2 hours drive.

For more information visit the following websites:

Funambolika blog: www.funambolika.blogspot.com
General program: www.entemanifestazionipescaresi.it
Myspace: www.myspace.com/funambolika

Tickets: (39) 085-6920057 – (39) 085-4221463
Organization: (39) 085-693093 • (39) 085-4503036

Email: info@entemanifestazionipescaresi.it
Artistic direction: rderitis@hotmail.com

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Thursday, May 22, 2008

Bill Irwin/ Aaron Cromie podcast

Fascinating hour of conversation about clowning and clowns with Bill Irwin and Aaron Cromie regarding the Happiness Lectures.

http://www.whyy.org/podcast/052208_110630.mp3

Definitely listen to it!

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Tuesday, May 6, 2008

Bill Irwin in Philadelphia



Thanks to Aaron Cromie for the tip! (He's in the show too!)

THE HAPPINESS LECTURE
WORLD PREMIERE
By Bill Irwin
May 16 - June 15, 2008

Bill Irwin – a two-time Tony Award-winner, film/television star, physical comedian, playwright, director and choreographer – leads a brilliant ensemble on an adventure in the pursuit of happiness. Irwin has created a unique and imaginative evening of delightful vignettes and physical comedy.

This world premiere is a wild and entertaining ride that spoofs theatrical pretensions while exploring the sheer joy of laughter. Featuring some of Philadelphia's finest actors and dancers including: Nichole Canuso, Jennifer Childs, Melanie Cotton, Aaron Cromie, Lee Ann Etzold, and Makoto Hirano, along with New York-based Ephrat "Bounce" Asherie and Cori Olinghouse.

http://www.philadelphiatheatrecompany.org

There are ticket deals and discounts if you contact the box office, especially for the previews.

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Tuesday, February 26, 2008

Acme Clown Art Exhibit- 2001

In 2001, I became the Clown Laureate of Greenbelt Maryland. As part of my work there, I curated a clown art exhibit, that featured over 50 pieces of artwork. I' ve assembled some samples on a web page, and recently moved it to my own site:

http://www.acmeclown.com/clownartexhibit/

The piece to the left is "Dunk the Clown" by artist Frank Wu

Enjoy the artwork!

More about the Greenbelt residency:
http://www.acmeclown.com/greenbelt/

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Sunday, November 25, 2007

Bellobration at the United Center

I was in Chicago for the weekend for a family function, and thought I'd check out the Bello-bration. It's the Red Show-- and I hadn't seen it when it was on the East Coast, so I was glad I got the opportunity. I saw it today (last day of the stand in Chicago-- we went to the 1 pm performance.

The pre-show "All-Access Pre-Show" was hosted by clown Leo Acton. Leo is a graduate of Clown College from 1996. I was mostly astonished, because this is the first time that I've seen a Ringling Clown with his own facial hair. Granted the show had a 1970's feel, but I was pretty amazed. This would not have been allowed when I was at Clown College.

Looking around, a lot of the clowns had their own hair--less wigs than I remember. I wondered if maybe it's because a lot of the clowns are no longer Clown College grads. (But it turns out Leo Acton is-- I guess there's been a change of policy) A couple of the costumes wouldn't have passed muster back in the day.

In general the pre-show was pretty good-- the clowns did a variation on Dead and Alive with a lot of knockabout, there was a painting elephant, some hula-hooping, a great trampolining bit by a Russian clown named Alex, and a lot of clowns doing Meet and Greet. The Meet and Greet was a little lame-- standing in back of someone and making fun of them behind their back. I know that 13 shows a week gets a little hard to be original, but I thought it could have gone better. (I did get made fun of, but didn't introduce myself-- I played with the guy, and once he saw I was alive, he seemed to lose interest.)


The pre-show clown bit (with a nice little clown car used by Leo Acton again) was a Campfire Marshmallows advertisement basically-- and not very funny. Something else that didn't quite fly from a clown perspective was the group piece "Dancing with the Clowns." It started off okay, but didn't go anywhere relatively slowly. The ending blowoff (an acrobatic dancer who is much better than the bad dancers) wasn't particularly strong. Good bendover routine with one clown playing a couple as a bendover.

Once the show started, Bello is really the star. He falls in love with the aerialist, and spends the show going from act to act trying to get her to notice him. It's a good idea, and it's done well. The highlight was when Bello and the aerialist are up on twin sway poles, and he gets a kiss from her-- the whole spec turns into a Bello-bration, along with everybody including elephants, dogs, and the circus band, sporting Bello's blonde hair. It was Being John Malkovich for Bello, and very funny.

The second act was less strong, and the pretense of his love for the aerialist went away. Bello did a great act with the Wheel of Danger (it split into two side-by-side at one point-- I had never seen that!) And the show ended with the Human Cannonball-- very impressive, but oh so fleeting.

There were a bunch of good video gags in the beginning of the show-- Bello stuck in the humoungous television monitor and trying to get out. It was so clearly not live, and done a little too fast-- as if they were saying-- I know you are used to speeded up cartoons-- here you go! I enjoyed them, nevertheless

Overall it was a lot of entertainment, although once we added the "Convenience Charge" It was $30 a ticket.) It was a great night out though.

Find out more about the Ringling Red Show and the clowns mentioned by visiting their websites listed below.

RINGLING RED SHOW: http://ringling.com/

BELLO NOCK: http://www.bellonock.com

LEO ACTON: Leo Acton's Myspace Page

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