For more widgets please visit www.yourminis.com

Thank you for visiting the clownlink!

Sunday, February 14, 2010

Flying Karamazov Brothers in NY through March 7

World renowned juggling group who don't fly, aren't brothers, and aren't Russian, the Flying Karamazov Brothers are performing their show 4Play at the Minetta Lane Theater until March 7th.  If you don't know them, you should.  They are fantastic!  Actually, an earlier iteration of their show that they performed one summer at Trinity Rep got me interested in vaudeville.  I must have seen that cabaret 10 or 12 times as an usher!  (Yes, FKB, it's ALL your fault!)  
 
If you go to the box office at the theater, you can avoid the $7 "service" charge from Ticketmaster.

If you're on the fence, just watch this video:  http://www.youtube.com/watch?v=gALkHQnPPn0

Don?t miss THE FLYING KARAMAZOV BROTHERS in  4PLAY!
how to get tix
online
arrow Click Here
by phone
Call 212-307-4100
in person
Minetta Lane Theatre
18 Minetta Lane
New York, New York
1pm- showtime
theatermania snipe
 
Don't miss THE FLYING KARAMAZOV BROTHERS in 4PLAY!

LIMITED ENGAGEMENT
February 8 thru March 7 ONLY!


The Flying Karamazov Brothers are preparing for lift-off from the Minetta Lane Theatre from February 8 through March 7th for a run of their non-stop hit show "4PLAY". An innovative blend of comedy, theatre, juggling and music, this exuberant and hilarious theatrical event is recommended for ages 5 through 95. For tickets as low as $10 you get to ride a rocket to Planet K. The Karamazovs, master practitioners of cheap theatrics, juggle 'til they drop. The audience is invited to bring objects to the theater for Karamazov's Champ to juggle, making each show unique."4PLAY" shows NY's favorite multi-faceted, new-vaudevillians at the apex of their ambidextrous ability. Come watch the Flying Ks as they prove with each performance that chaos and unexpected events in our lives are the best part of being human. Four Weeks, Four Brothers, For Everyone, 4PLAY.

"Book passage now! An evening of airborne hilarity! These four unrelated American lunatics know exactly where they are going — to the moon and beyond!"
- The New York Times

"Drop everything and go see them!"
-The Today Show

"So much fun that anyone you take to see it will want to go to bed with you!"
-Chicago Reader


INSANELY CHEAP!! TICKETS STARTING AT $10!

WEEK 1 February 8 - 14
$10 - $50

WEEK 2 February 15 - 21
$20 - $55

WEEK 3 February 22 - 28
$25 - $60

WEEK 4 February 28 - March 7
$30 - $65

Performance schedule:
Tuesday - Friday at 8pm
Saturday at 2pm & 8pm
Sunday at 2pm & 5pm

Special performance: Monday, February 8 at 8pm

February 8th - March 7th

www.fkb.com

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Saturday, February 13, 2010

Silent Clowns Film Series Winter/Spring 2010 (NY)

The Silent Clowns Film Series under the direction/curation of Bruce Lawton and Ben Model has created another stellar lineup of classics and gems for cineastes and physical comedy aficionado's to drool over. This time it's films that are held in private collections, so these are RARELY seen. If you fall into either of those categories (film lover or physical comedy lover) you owe it to yourself to take a Sunday and spend it in the dark with Ben and Bruce. It will be well worth it.

All programs will be held at the Arclight Theatre, located at 152 W 71st Street, between Broadway and Columbus.

Tickets are $10 for all adults, and $5 for seniors, kids and members.

Live piano accompaniment by Ben Model at all shows.

Visit http://www.silentclowns.com/ for more information and to purchase tickets.

I've also put the program descriptions below.
Sunday, February 21 at 2pm
Films from the Jack Roth Collection

If Mack Sennett was "The King of Comedy" then Hal Roach was its "Crown Prince." After starting as an extra in 1914, Roach was instrumental in making Harold Lloyd a comedy star, and along the way developed a school of comedy that consisted of recognizable everyday people trapped in outlandish and embarrassing situations. Today’s selection of 1927 releases includes the Stan Laurel vehicles DUCK SOUP, EVE'S LOVE LETTERS and WHY GIRLS LOVE SAILORS, plus Max Davidson in JEWISH PRUDENCE and Charley Chase in THE STING OF STINGS.

Sunday, March 14 at 2pm
Films from the Streamline Films Collection:
Johnny Hines was a very popular clown who made many Harold Lloyd-type of comedy features in the 1920s, but is unjustly overlooked today. CONDUCTOR 1492 (’24) gives a good look at Hines’ ability with sight-gags, not to mention his engaging smile, and breezy personality. Opening for the feature is Glenn Tryon, another neglected clown, in the Hal Roach short WHOSE BABY ARE YOU? (’25).

Sunday, March 21 at 2pm
More films from the Streamline Films Collection
When the cinema began every film was a short subject, but as the industry grew so did the length of its films and shorts became a pre-feature special attraction. Comedy shorts were a standard part of the typical theatre bill, and this program provides a wide sampling of the art form. Our line-up is Ben Turpin in LOVE’S OUTCAST ('21), UP ON THE FARM ('25) with Lee Moran, Lupino Lane in MOVIELAND ('26), WHAT! NO SPINACH? ('26) with Harry Sweet, and Snub Pollard as THE OLD SEA DOG (’22).

Sunday, April 11 at 2pm
Films from the F.I.L.M. Archives Collection
Throughout the silent era there were numerous "fun factories" that specialized in producing and distributing silent comedy one and two-reelers. From giants like Sennett and Christie to micro units like Tenneck – they all worked overtime to supply a steady stream of movie laughter. Our cross-section of producers include Harry Cohn (Sid Smith in A DOG-GONE MIX-UP, ’21,), Larry Darmour (Mickey McGuire in MICKEY’S CIRCUS, '27), William Fox (Arthur Housman in JUST A HUSBAND, '27), Louis, Adolph, & Max Weiss (Ben Turpin in THE EYES HAVE IT, '28), and Hal Roach (Snub Pollard in STRICTLY MODERN, '22, and Stan Laurel in COLLARS AND CUFFS, '23).

Sunday, April 25 at 2pm
More films from the F.I.L.M. Archives Collection
Known as “The King of Comedy,” Mack Sennett was actually the Henry Ford of slapstick, as he was the first person to create a film studio devoted to turning out comedies on an assembly-line schedule. The main targets for the rough and rowdy Sennett crew were order, pomposity, and social standing. Having discovered most of the big names in the genre, today’s sampling highlights the year 1926 and stars such as Billy Bevan, Ralph Graves and Ben Turpin in the shorts WHISPERING WHISKERS, HUBBY’S QUIET LITTLE GAME, YANKEE DOODLE DUKE, WHEN A MAN’S A PRINCE, and ICE COLD COCOS.

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Saturday, November 7, 2009

Inside Out (Cirkus Cirkör at BAM- NY) Nov 12-15


Part of the 2009 Next Wave Festival
Cirkus Cirkör
Live music by Irya's Playground
Directed By Tilde Björfors

"...A magical breathtaking performance...a powerful inter-disciplinary work of art..." —Skånska Dagbladet (Sweden)

The human body unfolds as a surreal rock and roll fantasy in Inside Out, Swedish troupe Cirkus Cirkör's phantasmagoric journey into the outer reaches of inner life. Accompanied onstage by dub-punk-new wave-electro-inspired band Irya's Playground and featuring a mix of highly skilled acrobatics, musical theater, and spectacle, Inside Out boggles the mind by way of the body. Actors and acrobats course through veins, explode through space like uncoiled strands of DNA, and lunge across synapses to become the body electric. Don't miss this if you have the chance to see it.


Nov 12 & 13 at 7:30pm
Nov 14 at 2 & 7:30pm
Nov 15 at 3pm
BAM Howard Gilman Opera House
110min with intermission
Tickets: $25, 45, 60
In English
Appropriate for ages 5 & up

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Monday, September 21, 2009

Silent Clowns Film Series Fall/Winter 2009 (NY)

THE SILENT CLOWNS FILM SERIES
MEETS "THESE TOUGH ECONOMIC TIMES" HEAD-ON...
WITH SLAPSTICK SALUTES TO
FOLKS JUST TRYING TO GET BY!

( NOTE NEW THEATER LOCATION!!)

The Silent Clowns Film Series has become the place for film buffs and families to go to see classic silent comedy films. Presenting its programs on Sunday afternoons from fall to spring the series has offered hundreds of classic film fans and young people all over the tri-state region the chance to see Chaplin, Keaton, and everyone in-between. All shows feature live piano accompaniment by Ben Model.

The Silent Clowns' Fall / Winter 2009 season tips its hats (all of them) the slapstick art of survival with five programs of classic silent comedy shorts and features helmed by the likes of: Charlie Chaplin, Buster Keaton, Harold Lloyd, Our Gang, Ben Turpin, Charley Chase, Roscoe "Fatty" Arbuckle, Harry Langdon. All this culminates in a December showing of Laurel & Hardy silents where the audience will vote online for their faves to be screened.


The Silent Clowns Film Series is held at
THE ARCLIGHT THEATRE
152 WEST 71st STREET, betw B'way and Columbus)
Subway: 1, 2 or 3 W72. or C to W72
Tickets are
$10.00 all adults and $5.00 for kids and seniors.
Live piano accompaniment by Ben Model
Tickets are sold at the door. For more information visit www.silentclowns.com or call 212-712-SCFS.




THE SILENT CLOWNS FILM SERIES
2009 FALL/WINTER SCHEDULE

All programs feature live musical accompaniment by Ben Model.


Sunday, October 11 at 2pm
Comedy on the Bum
- or -
The Elegance of Indigence
Tramps (a.k.a. “Knights of the Road”) were popular comic characters on stage, in comic strips, and in early films. While Charlie Chaplin used it for his regular screen persona, most of the other big name comics spent some time cinematically "on the bum". Today’s down-and-outers include Roscoe "Fatty" Arbuckle in Fatty's New Role ('15), Charlie Chaplin’s Easy Street ('17), Harold Lloyd in From Hand To Mouth ('19 ), Buster Keaton’s The Goat ('21), and Fiddlesticks ('27) with Harry Langdon.

Sunday, October 25 at 2pm
Harold Lloyd in "Dr. Jack" (1922)
Remembered today as the "third genius" of silent comedy, Harold Lloyd was always first at the box office.Dr. Jack ('22), although not as well known as Grandma's Boy ('22) or The Freshman ('25), is equally funny and presents Harold as a country doctor who uses scares and thrills to help a young rich girl get rid of parasitic doctors. Also on this Halloween program is Buster Keaton surrounded by eerie goings-on inThe Haunted House ('21).

Sunday, November 8 at 2pm
Slapstick Show-Biz Part One:
Stagecraft Shenanigans
Since most of the silent film comedians came from the stage, it was only natural that they would use their theatre background and experiences for comic material. Tough company managers, over-ripe melodramas and fly-by-night theatre troupes are some of the subjects at hand today in the Thanhouser company’s The Soap Suds Star (215), Charlie Chaplin’s The Property Man ('14), The Play House ('21) with Buster Keaton, Charley Chase’s Bromo and Juliet ('26), and Lupino Lane in Drama Deluxe ('27).

Sunday, November 22 at 2pm
Slapstick Show-Biz Part Two:
Chaos on the Set
The second part of our Show-Biz programs finds our silent clowns poking fun at themselves and their style of filmmaking. Nothing could be simpler or handier (not to mention cheaper) than using their own studios as background for slapstick antics, which today gives us precious behind-the-scenes glimpses of where and how these films were made. On the bill is Everett True Breaks into the Movies ('16), Charlie Chaplin’s Behind the Screen ('16), Hey There ('18) with Harold Lloyd, Our Gang’s Dogs of War ('23), and The Daredevil ('23) starring Ben Turpin.

---------------------------------------------------------------------------------------------


Sunday, December 6 at 2pm

Laurel & Hardy: U-Pick 'Em!

*Audience Favorites*

After years of solo work, Stan Laurel and Oliver Hardy came together at the Hal Roach Studio in 1927.In their comedies human foibles and the frustrations of everyday life were magnified a hundred times over. Now you have the opportunity to select which of their silent shorts you’d like to see. Vote online on our website, and the four finalists will be screened at this show! Visit our website to go to the voting page.

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Wednesday, September 16, 2009

Fettucini Brothers in China... and Blogging!

In the next couple of weeks (Sept 28-Oct. 9), the Fettucini Brothers (Mike Heidtman & Steve Langley, otherwise known as Alfresco and Alfredo) will be going to Hangzhou China to participate in the Golden Week Events there.

The Hangzhouians are crazy for American clowns, and over the last couple of years there have been lots of festivals there chockful of American clowns.

There are lots of performers going. Here's a list of them (per their blog)





Stage Performers

Seth Bloom

Christina Gelsone

Matthew Duncan

Brian Foley

Mike Richter

Keith "Bindlestiff" Nelson

Andrew Scharff

Bryan Fulton

Mike Smith

Mark Lohr

Steve Langley

Mike Heidtman

Ron Hoffman

Julie Pasqual

Josh Eldeman

Anatoly Valiev

Nadezda Andreeva


Balloon Artists

Micha de Haan

Christopher Charlot

Suzanne Harring

Todd Nuefield

Strollers/Street Performers

Lara Heidtman Smith

Brad Bodary

Michael Sabb

Irene Fong

Cheryl Schrueffer

Mitchell Yosheda

Raquel “Rocky” Giberstein

Chelsea Conklin

Aaron Watkins

Chris Shelton

Margaret Carr

Alice Farley

Rachel Ann Whitman

Sharon Livardo Du Maine

Martin Ewen

Reuben Haller

Ted Lawerence

Charalambos “Harry” Mavromichalis

Paul Michalec


Face Painters

Liz Bolick

Derrick Little

Patricia Russell


Mike & Steve will be blogging about their experiences and posting lots of photographs at the blog listed below.

Make sure to check in and follow their adventures-- I'm sure it will be a lot of fun.

Blog: http://web.mac.com/fettucinibrothers/iWeb/China%20II/Blog/Blog.html
Fettucini Brothers Website: http://www.fettucinibrothers.com/

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Thursday, August 27, 2009

CWB Fundraiser this evening! (NY)

Fantastic photos - Inspiring Stories - Exciting Entertainment
Photo & video presentation of CWB projects to Thailand, Cambodia and Haiti together with a benefit party for further Haiti trips and upcoming project in Indonesia! MC'd by the ever-funny (and usually bald) Brian Foley of Circus Bambouk.


Type:
Network:
Global
Price:
Suggested Donation $10-30 sliding scale
Date:
Thursday, August 27, 2009
Time:
7:00pm - 10:00pm
Location:
At the Center for Remembering & Sharing
Street:
123 4th Avenue (13th St)
City/Town:
Manhattan, NY


Phone:
9178043362
Email:

Description

Photo and video presentation of Anna Zastrow's trip to Thailand and Cambodia, and of Olivia Lehrman's CWB team expedition to Haiti.

Come experience what we’ve been up to and see the kids in action!

Contribute to the upcoming project: Clowning with youngsters in Indonesia!

Here’s your chance to get in on the game and be part of a wonderful humanitarian venture.

In November Anna will travel to Indonesia to join Clowns Without Borders partner Dan Roberts, and, together with an Indonesian musician, we will bring laughter and excitement to kids in homeless shelters, community centers and schools in Jakarta and in the Aceh region, where many children are suffering psychological trauma from the 2004 tsunami and years of civil strife.

Clowns Without Borders is also working on making further trips to Haiti possible and to establish an ongoing presence there, where children are enduring extreme poverty.

* * * * *
THE EVENT:

Laugh! Eat! Drink! Mingle! Have fun!
• Join us on a photographic journey
• Enjoy fun(ny) entertainment with special guest
• Bid on fabulous items in our Silent Auction: (Cambodian silk, Thai massage, Haitian rum, and more)

Scrumptious scones from Alice's Teacup and refreshing brew from Singha Beer! and more

* * * * *
CLOWNS WITHOUT BORDERS offers laughter to relieve the suffering of all persons, especially children, who live in areas of crisis including refugee camps, conflict zones and territories in situations of emergency.
We bring levity, contemporary clown/circus oriented performances and workshops into communities so that they can celebrate together and forget for a moment the tensions that darken their daily lives.

For more information: http://www.clownswithoutborders.org
or
http://www.lokamaer.org/lokahumana

+ + + + + + +
IF YOU CAN'T COME, PLEASE CONSIDER MAKING A DONATION! Go to http://www.clownswithoutborders.org and click on Support Us! Please mark your donation Indo/Haiti.
THANK YOU!

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Thursday, July 23, 2009

Celebration Barn - Big Barn Spectacular, South Paris Maine.


The Celebration Barn, one of the great places to study during the summer, has all sorts of stuff going on performance-wise. Next week, it's the The Big Barn Family Show at 4 p.m. is a chance for kids of all ages to enjoy a great cast of favorite Barn performers. The 60-minute matinee at will feature physical comedy, amazing mime, and spectacular juggling to captivate the imagination of young audiences. Tickets are $12 all seats.

The 4 pm show will feature: Randy Judkins, Jackie Reifer and Jon Saccone.

The cast expands for The Big Barn Spectacular at 8 p.m. with knock-your-socks-off variety and a star-studded silent auction. Tickets for the 8 p.m. show are $20 and $16. The year's roster includes:
* Karen Montanaro
* Fritz Grobe
* Michael Lane Trautman
* Mike Miclon
* Rick Adam
* Amanda Huotari
* Clare Vadaboncouer
* Plus a wicked fun silent auction!

Shows begin at 8:00 P.M. or 4:00 P.M. Doors open at 30 minutes before showtime. Seating is general admission. Reservations are recommended and may be made by calling the Barn's box office at (207) 743-8452.

The Barn has a lot of other great events going on for the rest of the summer too!

Schedule is here (or look below): http://celebrationbarn.com/main/shows.html
Find out more about the barn at http://www.celebrationbarn.com

CELEBRATION BARN SUMMER SCHEDULE JULY 24-AUGUST 29

Friday, July 24, 8 p.m.
Meet the Artists: Karen Montanaro
Maine Arts Commission Fellowship recipient Karen Montanaro shares her unique approach to fusing mime, dance and improvisation, illustrated by work with her students.
Tickets: $8



Saturday, July 25, 4 p.m.
Big Barn Family Show!
This 60-minute matinee is a chance for kids of all ages to enjoy a variety of favorite Celebration Barn performers!
Tickets: All seats $12.



Saturday, July 25, 8p.m.
Special Event! BIG Barn Spectacular!
4th annual alumni show celebrates the spirit of the Barn with knock-your-socks-off variety and star-studded silent auction!
Tickets: $20 adults, $16 seniors and students.



Friday, August 7, 8 p.m.
Meet the Artists: Fritz Grobe and Stephen Voltz of Eepybird.com
Famous for their Diet Coke & Mentos and Sticky Note Experiments, the duo discuss their groundbreaking work in viral videos.
Tickets: $8



Saturday, August 8, 8p.m.
Marta Rainer in Unaccustomed to My Name.
This outstanding one-woman show has received rave reviews across the U.S. and Europe.
Tickets: $14 adults, $12 seniors, $8 students and kids



Friday, August 14, 8 p.m.
Meet the Artists: Avner the Eccentric and Julie Goell
Avner the Eccentric and Julie Goell introduce the world of clowning and celebrate the comic art of succeeding in the face of failure, as they present new works from their Eccentric Performing students.
Tickets: $8



Saturday, August 15, 8 p.m.
Bill Bowers in It Goes Without Saying
International mime sensation and broadway veteran presents his solo play.
The NY Times called it,
"Zestful and endearing... full of life."
Tickets: $14 adults, $12 seniors, $8 students and kids.



Friday, August 21, 8 p.m.
Meet the Artists: Davis Robinson
Davis Robinson, author of The Physical Comedy Handbook, Davis delves into how to develop funny, honest and imaginative theater.
Tickets: $8




Saturday, August 22, 8 p.m.
The Early Evening Show
A wild night of comedy and surprises in this late-night talk-show spoof hosted by Mike Miclon,
Jason Tardy and Matt Tardy!

Tickets: $14 adults, $12 seniors, $8 students and kids.



Friday, August 28, 8 p.m.
Meet the Artists: Deborah Henson-Conant
Grammy-nominated Deborah Henson-Conant explores the power of the performer behind the music, and hosts the work of her Performance for Musicians students. Tickets: $8



Saturday, August 29, 8 p.m.
Special Event! Jazz Harpist: Deborah Henson-Conant Solo!
This Grammy nominated wild woman of the harp is back by popular demand!
Tickets: $20 adults, $16 seniors and students.

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Thursday, July 16, 2009

Jay Stewart & Big Apple Clown Care Unit/Boston

They care enough to clown around | CapeCodOnline.com

BOSTON - Wearing a big red nose and black clodhopper shoes, Jay Stewart of Harwich bungles his way — on purpose — into rooms at Children's Hospital Boston.

He and fellow Big Apple Circus clown Brian Dwyer are there to entertain young patients recuperating from surgeries and medical treatments. And while these youngsters might be considered a captive audience, they can be a tough crowd.

A young boy tells the two clowns that under no circumstances should they make him laugh out loud. He's afraid convulsive movements of his chest will hurt a port that's been installed to deliver medication.

But it's OK to make him giggle gently and smile, so Stewart and Dwyer deliver a performance that's big on magic tricks — a ripped-up paper napkin knits itself back together — and short on slapstick.

In a ninth-floor room, intense physical comedy seems to be the order of the day. Stewart has to bang into a door — hard — several times to bring the faintest glimmer of a smile to the face of a bed-bound girl. She may not have much control over what medical procedures are being done to her, but, by gum, she can make the clown dance.

In the meantime, her relatives are unleashing peals of laughter that sound suspiciously like relief.

"Every door you knock on is a completely different opportunity," says Stewart, who started doing clown work twice a week at Children's Hospital for the Big Apple's hospital outreach program two years ago. "You don't even know if they're going to let you in. I'm going to be Mr. Flexible."

Stewart, who has worked for Ringling Bros. and a circus in Japan, says this is the first clown gig where he feels he is actively helping someone.

"It's nice to lighten the mood, even for a little while," he says. As part of the team of clowns that works Children's, his goal is to change the energy in a child's room, for the better.

"Every kid there just wants to be a kid," Stewart says. "They love it when we come in and start doing things you're not supposed to do."

The first thing the clowns do is poke fun at hospital authority figures, starting with the doctors.

The name tag on Stewart's white lab coat announces that he is Doctor Mhrahfhauer. Try pronouncing that. Dwyer's name is easier: "Dr. Gon Golphin."

These "doctors" wear face paint, sing and juggle.

They bark and do breed-specific imitations for Elaina Savino, 14, of Malden, whose stuffed-animal-strewn room indicates she's a dog enthusiast.

"Well, Elaina, I'm sure it's been a real big pleasure for you to meet us," Stewart deadpans.

They do a rapid-fire hat-switching routine for a wide-eyed toddler and obey Garrett Poirier's commands to keep the hilarity to a minimum.

The trick with paper-ripping magic is to "rip up, not down," Stewart tells the 7-year-old from Wrentham. Garrett giggles when the paper magically becomes one whole piece again after his father gives the magic word, "sarsaparilla."

Stewart also plays a loving, if gigantic, nurse and is not above having fun at the expense of the child-life specialists who advise him on which children to visit.

Child-life specialist Lakeisha Ruley says she's had to deny ownership of a gigantic pair of clown underwear.

While the clowns deliver a child-safe brand of humor, sometimes they are really there to relieve the anxiety of adult caretakers, Ruley says. "If I know the parents are having a difficult time, mom and dad might benefit."

Children's Hospital also brings in magicians and musicians to entertain the children and their families and lighten the mood.

"It's not a total shock when we come walking onto the floor," Stewart says.

Working in a hospital setting two days a week wasn't on his radar when Stewart studied theater in graduate school at Wake Forest University in North Carolina.



After being cast as the fool in plays and told by a director that he did physical comedy well, Stewart went to Ringling Bros. Clown College, for which he eventually toured and taught. He met his wife and fellow clown, Kristen (Stearns) Stewart, while working in Las Vegas, and after traveling with the circus the two eventually settled with their two children in Kristen's hometown of Harwich.

The Stewarts and their two children - Karen, 10, and Nick, 8 - have their own clown entertainment act and also perform with Harwich Junior Theatre, where Karen is development director and Jay currently has a one-man show called "Elvis ... The King and Me."

Jay Stewart got his job as part of an eight-member clown troupe at Children's Hospital after trying out for the Big Apple Circus Clown Care Program.

The Big Apple has outreach programs in 18 hospitals across the U.S., and working for them takes a little bit more than clown training, Stewart says. He and his fellow clowns are trained in proper hygiene — possibly no performers have cleaner hands — and were coached on being sensitive to children's psychological states.

One child might benefit from a gentle song, Stewart says, while another young patient will get a kick out of having the whole room covered in toilet paper.

"I'm very proud to be part of the team and doing that kind of work," Stewart says. "Whoever is in that building could probably use a laugh."

To learn more about Clown Care

Visit www.bigapplecircus.org

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Monday, July 6, 2009

Clowns in Style: NY Times article about two clown's homes

Two Dell'arte Graduates get their house (and their work and their website) featured in the NY Times!

http://www.nytimes.com/2009/07/05/realestate/05habi.html

Habitats

The Traveling Circus Stops Here

Ruby Washington/The New York Times

Christina Gelsone and Seth Bloom, both clowns, rehearse in their apartment

Published: July 2, 2009

CHRISTINA GELSONE, a slender 36-year-old with delicate features and hair the color of a ripe eggplant, lay flat on her back on the bare parquet floor of her West Harlem apartment, an expectant look on her face.

Photographs by Ruby Washington/The New York Times

Christina Gelsone and Seth Bloom made three small rooms into one large space. “When Seth chose red kitchen cabinets,” Ms. Gelsone says, “I thought to myself: ‘Yes! I married the right guy.’ ”

Her husband, Seth Bloom, 34, whose dark hair shimmers with electric blue highlights, placed his palms atop hers. Then he balanced over her, almost as if he were floating in the air. The couple held the pose silently, the only sound on this quiet weekday afternoon the bird song outside their kitchen window, which offers a view of leafy St. Nicholas Park.

Ms. Gelsone and Mr. Bloom are professional clowns, and they regularly perform feats like these in their fifth-floor walk-up on St. Nicholas Terrace, a turn-of-the-century apartment house near 128th Street that in 1996 was converted into a co-op for families earning low to moderate incomes.

The onetime railroad flat, where the couple has lived since May 2008, is also their rehearsal space and office. A small room off the narrow hallway, for example, is crammed with tools of their trade like stilts, water bombs, juggling pins, soap-bubble solution and oversize balloons — not the items stashed in your average New York linen closet.

But Ms. Gelsone and Mr. Bloom, known professionally as the Acrobuffos (for a glimpse of what they look like in action, check out their Web site, www.acrobuffos.com), are hardly your average clowns.

They perform their acrobatics, mime, juggling and theatrics (but no fire-eating, Ms. Gelsone says, because it destroys your teeth) in some of the most troubled places on earth. They make annual visits to Afghanistan, where they met in the summer of 2003 (yes, they know it sounds like the start of a joke: “Two clowns meet in Afghanistan ...”). Individually or together they have also performed in Kosovo and Serbia in the Balkans, where memories of past conflicts are still vivid.

“We’re sometimes the only Americans without guns that people have seen in these places,” Ms. Gelsone said that afternoon after scrambling up from the floor and settling herself next to her husband beside a low stained-wood coffee table bought for $350 at My Little India, a store in Brooklyn that sells Indian imports, and one of the priciest items in the apartment.

“You’re just a little clown going over there. But what we do is offer people a chance to release their emotions, which is the first step to recovery.

“Sure, you can build a hospital and get a plaque with your name on it,” she said.

And Mr. Bloom added: “Hospitals and infrastructure are part of what’s needed. But people need to be people. What we do lets kids dream. What we do lets them imagine a future.”

The two were a professional couple for several years before becoming a romantic one, in part, as Ms. Gelsone explained, “because it’s a cardinal rule — never date a clown partner.”

“You can find a date anywhere,” she said. “But a clown partner? Not so easy.”

By spring 2007, however, they were living together in an apartment opposite their current building. By that Christmas, after a pageantlike wedding in the Chinese city Hangzhou, for which Ms. Gelsone wore a dress made of white balloons, and a honeymoon in the Wakhan Corridor of Afghanistan, one of the most remote parts of the world, they had found their home on St. Nicholas Terrace.

Their apartment house is more than a century old, but was rejuvenated by a city program that established it as a Housing Development Fund Corporation. Under this program, buildings owned by the city are renovated and the apartments made available to families whose annual earnings fall under a prescribed level.

The goal is to help families of relatively limited means become homeowners, and the impact in minority neighborhoods like this one has been considerable.

The program’s ideological underpinnings appealed to the couple (Mr. Bloom ended up as vice president of the co-op board). And to a couple that earns $50,000 to $70,000 a year — clowning isn’t the most lucrative of professions — the deal was attractive financially.

They bought their six-room apartment in May 2008 for $262,000; their monthly maintenance is $615. They set about transforming it into a space that would accommodate their not-so-traditional lifestyle. To create an area in which to rehearse, they collapsed the three small front rooms into one spacious area and redid the floors, each of which had been built at a slightly different level, to make one continuous expanse; renovations came in at just under $20,000. They furnished the room with items from Ikea (cheap) and tatami mats (easily stacked and stashed). During the day, when most of their neighbors are out, they can do handstands and pratfalls to their hearts’ content.

As a gentle homage to their time in China, they painted the kitchen in red, gold and blue, the colors of the Forbidden City in Beijing.

“When Seth chose red kitchen cabinets,” Ms. Gelsone said, “I thought to myself: ‘Yes! I married the right guy.’ ”

They find the ungentrified nature of their neighborhood appealing. People barbecue in the back of their buildings, play music on the street, and are so chatty, it can take 15 minutes to collect the mail.

“Where we travel, life happens on the street,” Mr. Bloom explained. “This is more like the rest of our lives.”

While their professional center of gravity lies thousands of miles away, the apartment is alive with images and paraphernalia that evoke their life on the road. These include not only the clowning tools in the closet and the grinning papier-mâché masks that Mr. Bloom has created using a plaster mold of his head, but also his vibrant color photographs, displayed on the living room walls, which provide a vivid record of the couple’s travels.

The scenes from Afghanistan are especially compelling.

There are pictures of boys with a jug, selling glasses of water for one afghani (two cents) apiece. There is an image of boys playing soccer in front of the old palace in Kabul and another of a traditional Central Asian sport called buzkashi that is played on horseback and involves tossing around a dead goat.

One of the most joyous images shows a girl from a Kabul orphanage standing on a pair of borrowed stilts and looking exultant.

“She was up there for four or five hours,” Mr. Bloom said. “She said she never wanted to come down.”

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Tuesday, June 9, 2009

Another session of Commedia U (NY) June 14-26


Stanley Allen Sherman and Hovey Burgess present another in their series of intensive Commedia Dell'arte Courses .
It starts this Sunday at pier Studios in NY.

Commedia dell'Arte Summer Intensive Seminar 2 Week Workshop
June 14th - June 26, 2009
Price $795
at pierStudios in New York NY

RCCU is in its eight year of teaching Classical Commedia dell'Arte as close to its original form as we believe it was performed in the 1500's and 1600's. Master mask maker and Commedia dell'Arte expert Stanley Allan Sherman will lead this Commedia dell'Arte intensive.

These are the areas this workshop will concentrate on
…Commedia dell'Arte characters Pantalone, Arlecchino, Brighella, Dottore, Capitano, Lovers and Women --their movement, gesture and history of the characters, improvisation, lazzi, mask work, mask making, physical skills, prop manipulation, rhythm, scatology, scenario work and more; all integrated.

Much of the scenario and improvisation work will be taken from their new translation of three of Flaminio Scala scenarios believed to be from the legendary Gelosi Company 1572 to 1604.

For registration and to reserve your place or if you have any questions please feel free to call or e-mail Stanley Allan Sherman at 212-243-4039 or
via e-mail: il-dottore@commediau.com.
Registration fee to reserve your place: $75

If you can't make this one, the next workshop is in Turkey in July.

For more info, visit their website:

http://www.commediau.com/events.html

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Sunday, May 24, 2009

Roberto Benigni does Dante

NY Times Article about Roberto Benigni, who is apparently a Dante scholar, and is performing next week in NY in a very short tour of a Dante show, “TuttoDante,” a monologue about Dante’s “Divine Comedy” that mixes literary insights with off-the-cuff political jokes. In Italy, where he has been doing the show regularly for three years, it has drawn more than a million people. Sounds a lot like my Italian hero Dario Fo.

Great quote from the article:

“Only comedians can talk about death, life, God and Virgin Mary,” he said. “If was a tragic actor, I couldn’t allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown — very much.”

Here are the North American Tour Dates:

May 26 2009 - San Francisco - Louise M. Davies Symphony Hall
May 30 2009 - New York - Manhattan Center
June 3,4 2009 - Montreal - St. Denise Theatre
June 6 2009 - Boston - Berklee Performance Center
June 7 2009 - Toronto - Casino Rama
June 10 2009 - Quebec City - Grand Théâtre de Québec
June 12 2009 - Chicago - Harris Theater

Find out more about the show at http://www.tuttodante.it
















FULL ARTICLE BELOW:

Funnyman Takes on Dante’s ‘Comedy’
By BEN SISARIO
Published: May 22, 2009

Roberto Benigni leapt up with a riff on the 26th Canto of Dante’s “Inferno,” in which fraudulent advisers are engulfed by flames that scorch them. “It’s like landing in Los Angeles or Manhattan, full of little lights like a skyscraper,” he exclaimed in his frenetically choppy English. “Dante describes the lights like fireflies, like a farmer who sees billions of fireflies. And every single firefly is hiding a fraud — people like Madoff. Very cunning, very shrewd. These people are hiding inside the flame because they are hiding in life. The Florentines, you know, they invented finances.”

The delivery is familiar: Mr. Benigni, of course, is the endearingly manic Italian comedian whose Holocaust tragicomedy, “Life Is Beautiful,” won three Oscars in 1999. But for Americans, at least, the subject of Mr. Benigni’s latest project is almost incongruously new. Next week he will begin a short North American tour of “TuttoDante,” a monologue about Dante’s “Divine Comedy” that mixes literary insights with off-the-cuff political jokes. In Italy, where he has been doing the show regularly for three years, it has drawn more than a million people.

“We need to have the nerve to understand why a man with a big nose 700 years ago had the heroic shamelessness to write,” Mr. Benigni, 56, said in an interview the other day at a Manhattan hotel. “Really this is the most daring, bold poetry ever. In 2,000 years of Christian poetry they never surpassed this. They never produced such a scandal of beauty. Never, never, nobody.”

Mr. Benigni’s love of poetry has never been a secret. In “Down by Law,” the 1986 Jim Jarmusch film that introduced Mr. Benigni to American audiences, he cites Walt Whitman and “Bob Frost.” Collecting his Oscar when “Life Is Beautiful” won best foreign film in 1999, he quoted Dante and Blake (after climbing over the seats and blurting, “I want to kiss everybody!”).

“This face that he puts forward as a sort of clown is only a very small percentage of Roberto’s personality,” said Mr. Jarmusch, who also cast Mr. Benigni in “Night on Earth,” from 1991, and in a segment in the 2003 compilation film “Coffee and Cigarettes,” and who remains a close friend.

“TuttoDante” (“Everything About Dante”) introduces Americans to the savant-intellectual side of Mr. Benigni. In each performance he recites a canto in Italian from memory, with detailed explications of poetics and history in English.

For this tour, which begins in San Francisco on Tuesday and comes to the Hammerstein Ballroom in New York next Saturday, Mr. Benigni will perform Canto V from “Inferno,” with the story of Paolo and Francesca, the adulterers who spend eternity tossed by gales of lust.

“He’s a natural scholar,” said Robert Hollander, the Princeton professor. “He calls, and we just talk about Dante. He calls from Rome and says, ‘Bob, what do you think about this passage?’ ” Mr. Benigni wrote a preface for an edition of “Inferno” translated by Mr. Hollander and his wife, Jean, in which he asks whether Dante has been receiving royalty checks in Purgatory.

Mr. Benigni says he sees himself primarily as an entertainer, not a teacher. That means a lot of political jokes, often about his old nemesis, Silvio Berlusconi, the Italian prime minister. Mr. Benigni mocked him relentlessly during Mr. Berlusconi’s first term of office in the 1990s, and he clearly relishes the chance to banish Mr. Berlusconi to Dante’s depths.

“You know, Berlusconi, he passed a lot of laws just for him, just for one man,” he said. “So maybe his punishment could be to build for him a circle in hell, but very personal, just for him: ‘Eh, this is just for you, Mr. Berlusconi!’ ”

“TuttoDante” could also be seen as a kind of purgatory for Mr. Benigni, or perhaps a way out of one. Since “Life Is Beautiful,” which grossed $229 million around the world, his movie career has stumbled. There was no shortage of offers from Hollywood, but Mr. Benigni said that most roles were Italian stereotypes like the pizza man or the Mafioso. He was even urged to make a “Life Is Beautiful” sequel.

“Never in my life will I do this,” Mr. Benigni said, shaking his head.

So he continued making movies in Italy, but with mixed results. “Pinocchio,” in 2002, was a moderate hit in Italy but did poorly elsewhere. Mr. Benigni’s decision to cast himself — then 50 years old — as the puppet boy struck many critics as perverse. “The Tiger and the Snow,” from 2005, which Mr. Benigni also directed, did even worse at the box office.

“Maybe sometimes I have been wrong with some movies,” he said. “Anyway, I try to do my best. I was sincere. I was honest. But I am sure this path that I took is the right path.”

After “The Tiger and the Snow” he began to devote himself to the Dante readings. And although he said he is eager to return to filmmaking (“I would like to make not a divine comedy but a comedy”), Dante is his foreseeable future: requests for the show, he said, keep pouring in, from Korea and Japan, from South America, from towns in Italy he has not been to yet.

“Only comedians can talk about death, life, God and Virgin Mary,” he said. “If was a tragic actor, I couldn’t allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown — very much.”

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Wednesday, May 20, 2009

All Will Learn to Wear Bowlers: Pig Iron Clown Workshop in NYC

PIG IRON THEATRE COMPANY presents
A CLOWN WORKSHOP

with Quinn Bauriedel and Geoff Sobelle in New York City

WHEN: Wednesdays (June 10, 17, and 24) 2:30 - 5:30 PM
WHERE: The Brecht Forum 451 West Street
COST: $125


Pig Iron Artistic Director Quinn Bauriedel and Company Member Geoff Sobelle (creator of the international hit all wear bowlers) invite you to join them in an investigation of the world of the clown.

What gets revealed when you stand alone in front of an audience?
What pleasure can be found with the smallest mask in the world?
In what discipline are you the world's leading expert?

With little else than a red nose and the body that you inherited, the workshop will exploit each participant's unique sense of humor and way of uncovering the absurdity of being a human being on this planet. Take a leap into the unknown territory of your own lunacy.

To register, contact Quinn Bauriedel at quinn@pigiron.org

Pig Iron Theatre Company has been creating original performance works in Philadelphia since 1995, making plays about live music, dead people, neuroscience and thwarted love affairs through a unique method of collaborative creation and with a signature physical approach to character.

Past collaborations have included work with the legendary director Joe Chaikin, playwright Adriano Shaplin, choreographer David Brick, and composer Cynthia Hopkins.

Pig Iron's work has been seen at theaters and festivals in London, Edinburgh, San Francisco, Italy, Poland, Ukraine, Brazil, Germany, Ireland, Romania and Peru. The company's original works have met with critical acclaim and awards, including a 2005 OBIE; most recently, Pig Iron's Chekhov Lizardbrain was hailed by The New York Times as one of the top 10 theatre events of 2008. In September 2009, Pig Iron will premiere Welcome to Yuba City, a comic exploration of the mythic American West, at the Philadelphia Live Arts Festival.


Find out more about their work at www.pigiron.org

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Thursday, May 7, 2009

Cruel & Unusual Comedy at MOMA (NY) May 20-June 1, 2009

Cruel and Unusual Comedy: Social Commentary in the American Slapstick Film

May 20, 2009–June 1, 2009



Gratuitous Violence: No Turn Unstoned
Wednesday, May 27, 2009, 7:00 p.m.
With piano accompaniment by Ben Model
  • Deep Sea Panic 1924. USA. Directed by Roy Del Ruth. With James Parrott. 12 min.
  • Their First Execution 1913. USA. Directed by Mack Sennett. With Ford Sterling. 10 min.
  • The Phoney Cannibal 1915. USA. Directed by Charles E. Ward. With Lloyd Hamilton, Bud Duncan. 10 min.
  • The Counter Jumper 1922. USA. Directed by Larry Semon. With Semon, Oliver Hardy. 18 min.
  • Cold Hearts and Hot Flames 1916. USA. Directed by John G. Blystone. With Billie Ritchie. 20 min


Animals and Children: No Harm Done
Friday, May 29, 2009, 4:00 p.m
With piano accompaniment by Ben Model
  • An Elephant on His Hands 1912. USA. Directed by Frederick Thomson. With George Ober. 10 min.
  • Cat, Dog, and Co. 1929. USA. Directed by Anthony Mack. With the Our Gang kids. 18 min.
  • Mind the Baby 1924. USA. Directed by Al Herman. With Pal the dog. 18 min.
  • The Knockout 1923. USA. Directed by Len Powers. With the Dippy-Doo-Dads. 10 min.
  • When Summer Comes 1922. USA. Directed by Roy Del Ruth. With Billy Bevan. 18 min.


The Machine Age: Mack Sennett vs. Henry Ford
Monday, June 1, 2009, 4:00 p.m.
With piano accompaniment by Ben Model
  • Lizzies of the Field 1924. USA. Directed by Del Lord. With Billy Bevan. 18 min.
  • His Bread and Butter 1916. USA. Directed by Edward Cline, Hank Mann. With Mann, Slim Summerville. 18 min.
  • Get Out and Get Under 1920. USA. Directed by Hal Roach. With Harold Lloyd. 18 min.
  • Squeaks and Squawks 1920. USA. Directed by Noel M. Smith. With Jimmy Aubrey, Oliver Hardy. 18 min.
  • Neck and Neck 1924. USA. Directed by Fred Hibbard. With Lige Conley. 18 min.

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Tuesday, April 21, 2009

Golden Nose Award Winners

I attended the Third Annual New York Downtown Clown Golden Nose Awards last night.

This now annual event was a lot of fun-- not because of the awards (although it's great to see deserving people get awards) but because of the community that has been created/nurtured by founders of New York Downtown Clown Christopher Lueck and Amanda Pekoe. It's great to see all of these really funny talented people all in a room together. It's even bettter to have a drink with them before (and after the show)


This year's award ceremonies were a little different-- there were only two People's choice awards (that got voted on) and three number of honorary awards. The nose awards were designed by ProKnows

HONORARY AWARDS

LIFETIME ACHIEVEMENT IN CLOWNING
Hovey Burgess got a lifetime achievement award. Hovey, who is truly one of the instrumental early instructors of circus and clown, has been a constant presence in the NY Downtown Clown Scene. As one of the presenters noted-- not only does he go everywhere, sees every show, but everybody likes him. He's a tireless advocate for circus and clowning, and a great circus historian and archivist to boot.

Wearing a formal suit and a very large tie (not shown here) He told a very funny story about John Ringling North, Mayor Fiorello LaGuardia, and Lady Godiva which ended up crediting LaGuardia for the development of pasties and a G string (he was the mayor that raided Minsky's Burlesque) He also read the famous "But Dr. I am Pagliacci" joke from Watchmen in his best Rorschach voice. (It's the old famous joke--a man goes to the doctor, who checks him out and says "There's nothing wrong with you. There's a famous clown Pagliacci in town-- go see the show, and he'll make you feel better." To which the man replies in tears "But Doctor-- I am Pagliacci!")

CLOWN ORGANIZATION OF THE YEAR:
Clowns Without Borders USA
received a Clown Organization of the Year award for their work bringing laughter and clowns to strife ridden places. I've featured them on this site a number of times. Deven Sissler, who had just come back from Haiti, accepted the award on behalf of the organization. For more information on the great work they do, visit http://www.clownswithoutborders.org



CLOWNS OF THE YEAR:
Dick Monday and Tiffany Riley of the NY Goofs Received the Clowns of the Year award for their dedication and enthusiasm for clown arts. They've been teaching clowning in NY for over 10 years, and though they are now based in Dallas, they are also truly integral members of the NY Downtown Clown Scene. For more information about their work, visit http://www.nygoofs.com





AUDIENCE CHOICE AWARDS

Audience Choice Best Clown Act

WINNER--
Musique, by Joel Jeske, Mike Richter, and Christopher Lueck
OTHER NOMINEES:
Eccentric Dance and Hat Act
, by Spencer Novich
Kill Me Loudly: A Clown Noir
, by FOOLS ON FIRE (Butt Kapinski, Chris Manley, ChrisRoberti and Jeff Seal, Dir. Eric Davis)
The Pajama Men
, by Shenoah Allen and Mark Chavez

Audience Choice Best Clown Character:
WINNER: Spencer Novich
OTHER NOMINEES:

Emily Carragher
Nina Levine
Tweedy


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