Support Hospital Clowns in Haifa!

A friend of mine who is a rabbi is doing a bike tour in Israel with his congregants next week, raising money for a cause. This year the cause is hospital clowns of Haifa! Read his letter, and if you are so inclined, support his efforts. You can find out more about the program "Dream Doctors" at http://www.le-haim.org.il/site/index.asp You have to wait for the flash, and then click on the English logo. Pick a hospital, and you can find out more about the program, and the clowns who work it too. ---- Dear Friends, A dream is about to become reality for myself and a number of my congregants who will begin a ten day, 350 mile biking adventure on October 19th, 2008 in Israel. In the spirit of fixing that which is broken in the world, we have selected The Children's Hospital Medical Clowns Project of Rambam Medical Center in Haifa to be the recipient of our fund raising efforts. This initiative brings clowns to the oncology ward, using their skills to entertain the children, providing them a much needed respite for them and their families through laughter, compassion and joy. I am looking for your help and support in making this dream a reality through your generosity. Please help us put a smile on a child's face by making a donation of sponsorship. Donations can be made easily and quickly online by clicking on the following link: http://www.shaaraytefila.org/we_care/tzedakah.php Many thanks in advance for your support and much love, Jason

Dell'arte Goes to Bali 2009 Feb 9-March 12, 2009

FEBRUARY 9 - MARCH 12, 2009 Check out the Bali Blog 2007 by School Director Joan Schirle Since 1996, Dell'Arte International has invited students, teachers, designers, directors, and artists to immerse themselves in the traditional arts of Bali and encounter the profound spirit of the Balinese people. In this unique and wonderfully successful program participants study traditional Balinese performing arts and crafts with village masters, as well as Dell'Arte mask and movement techniques led by Dell'Arte's Founding Artistic Director Joan Schirle and Dell'Arte faculty. Bali is an extraordinary island where creativity is ordinary. In Bali, art serves the community, the religious practices, the economy and everyday living. This trip introduces students to Balinese performing arts in a way that allows them to experience how the Balinese live and create, and how family life and religious customs are woven into the creation of art. Unlike programs designed for art tourism, this program is designed for those who want to participate in the family life of outstanding Balinese master teachers as they teach. Due to the sacred nature of most Balinese arts and the complete intertwining of daily life with ritual, this trip can be an opportunity to deepen our internal connection to our own artistic practice, as well as to take inspiration for creative projects. THE PROGRAM The program begins with a relaxing traditional Balinese buffet dinner, followed by three days of orientation to the language, customs, and ceremonies of Bali, as well as informal meetings with Balinese teachers to observe their work. Orientation will include a symposium on masks with famous carver I. B. Anom, visits to the studios of several mask carvers and puppet makers, and attendance at the famous kecak, or monkey-chant dance by firelight. During the three and a half weeks of formal study, classes meet five days a week. Sometimes our study will take place in a classroom setting, sometimes outdoors, and most often in its traditional setting at village and temple ceremonies. In addition to their core area of study, all students will study kecak, the rhythmic vocal chant, as well as participate in alternating yoga/Alexander Technique, ensemble voice/chant sessions, plus symposiums on the links between Balinese and western mask performance traditions. All along there will be time for recreation such as mountain hiking, beaches, scuba, nightlife and shopping, including guidance on how to buy Balinese crafts. Massage and revitalizing body treatments are available at extremely low cost. CORE AREAS OF STUDY The core of the program is designed so that each student spends a large percentage of their class time on an area of interest most important to them, and we offer the following options: • Mask Carving • Mask Carving/ Balinese Dance (topeng) • Shadow puppetry (wayang kulit) / Balinese dance MASK CARVING Learn from a Balinese master carver how to work with the wood, the traditional tools (axe, chisels, knives), and the paints to create traditional and contemporary masks. You may order and bring home their own complete set of tools for under $40. Students will spend 4 – 6 hours daily in the home of their teacher. For a lively account of one man's encounter with mask carving, visit this link for interview with design Professor Ron Naverson (S. Illinois U, Carbondale), who was on our '03 trip. MASK CARVING/BALINESE DANCE Your morning will include one hour of Balinese dance. Topeng is the name of the masked dance form performed at most Balinese ceremonies. You will work in the studio of a Balinese master teacher, learning the basic walks, postures, arm and head movements in the mask. Topeng is based on stock characters like the king, minister, clown, and you will have the opportunity to see it performed at village ceremonies during your studies. Your carving program is the same as that described above, except that you will have a break after dance, and be carving in the afternoon, spending up to four hours daily with your teacher. SHADOW PUPPETRY(wayang kulit) & BALINESE DANCE Wayang kulit is the traditional art of storytelling through shadow puppets, performed by firelight. The puppet master is a combination of priest, storyteller, therapist, actor, and improviser, who manipulates and voices dozens of puppets in one play. Your morning will include one hour of Balinese dance (see above). Your afternoon will be spent at the home of a shadow puppet master, or dalang, who will instruct you in the art of leather puppet making: design, using the metal punches, painting and rigging techniques. You will observe how the traditional shadow screen is used and develop a short shadow play. Those who are interested in learning Balinese music may elect to spend some time learning the gamelan instrument, the gender, which accompanies shadow plays. For students who wish to study more dance, we will arrange for other teachers depending on your interest, at a small additional cost. ACCOMODATIONS Cost is based on double occupancy in fan-cooled rooms with two beds, private bath, and breakfast included. (Single rooms available for supplemental cost). There is a swimming pool, beautiful gardens, and a covered, open-air studio where some of our classes will be held. Other meals are available in nearby restaurants at very reasonable costs. Vegetarian food is easily available. You may apply for a shortened version of the program, but must be able to begin the course on the start date. Address inquiries to the Bali program director. All interested participants will receive detailed advance information on what to bring, how to prepare, and much more. FOR MORE INFO: EMAIL OR CALL info@dellarte.com 707.668.5663 or visit http://www.dellarte.com

Deborah Kaufmann- Veni Vidi Vici (NY)

Deborah Kaufmann spent her childhood in dance and acting classes. She earned a degree in Visual Art from Bennington College. After brief careers as a production potter, a sign language interpreter, a props mistress, a typesetter and an aluminum can inspector, Deborah stumbled into her life as a clown. By seeking out master teachers such as Richard Pochinko, Tony Montanaro, Bob Berky, Avner Eisenberg and John Towsen, she has studied the art of clowning in its many facets. She was part of the production team of the First and Second NY Clown Theatre Festivals presented by If Every Fool, Inc. in 1982 and 1985. Since its inception in 1986, Deborah has performed with The Big Apple Circus Clown Care (sm). “Dr. Dibble” brings her own brand of buffoonery to hospitalized children and their caregivers. As the Creative and Educational Coordinator for Clown Care, she auditions and trains new performers, and oversees the ongoing artistic development of almost 100 unique “clown doctors.” She has taught hospital clowning in Brazil, France, The Netherlands, Finland and Australia. As the tuba player for The Baltic Street Blowhards, an eccentric band, she played NYC Parks, Symphony Space and Avery Fisher Hall. Deborah has performed her original works in the U.S., Canada, Germany, Brazil and Australia. Of her performance at the 2006 New Clown Theater Festival nytheatre.com said, “this performance gleams most brightly, with true mischief and solid will operating unfettered at maximum strength.” Deborah will be performing that same work, entitled Veni Vidi Vici, for three nights only at the Access Theatre in Manhattan. Take equal parts of dance, theater, and circus clown, add Native American mask work, flavor with a pinch of bouffon, a touch of true mischief, and a nod to "Harold and the Purple Crayon, " and you get this delightful look at greed and acquisition. "An exploration of human instincts at so basic a level that thought can be put aside and impulse thoroughly enjoyed . . . this performance gleams most brightly, with true mischief . . . unfettered at maximum strength." --nytheatre.com VENI VIDI VICI Written for adults, appropriate for children over 7 Dates: Sunday-Tuesday, August 17, 18, 19, 7:30pm Place: Access Theater - 380 Broadway, 4th floor, at White Street (two blocks below Canal) Subways: A, C, E, N, R, Q, W, 6, J, M, Z to Canal St; 1, 9 to Franklin Tickets: $10.00 theatermania.com, 212-352-3101, or 1-866-811-4111

NY Times Article on Kendall Cornell's Clowns Ex Machina

Kendall Cornell & Co scored a NY Times article about their work and upcoming show! THE WHEN, WHERE AND HOW: Thursday, July 31st at 7:30 pm Friday, August 1st at 7:30 pm Saturday, August 2nd at 7:30 pm updated venue! Manhattan Children’s Theatre, 52 White Street (between Broadway and Church) in Tribeca MAP Advance tickets: $15 at theatermania.com or 212-352-3101 (or weird.org) At the door: $18 general admission/$10 students and seniors (cash only) For more info about the festival and tickets: www.weird.org And here's the beginning of the article: Exploring the Bozo Mystique, and Defining Funny on Their Own Feminine Terms Chester Higgins Jr./The New York Times Amanda Barron at rehearsal with Clowns Ex Machina. Members said their creativity had been stifled in mixed-gender troupes. By APRIL DEMBOSKY Published: July 29, 2008 Judi Lewis Ockler maneuvered into a black Victorian blouse, plucking the puffed velvet sleeves into place. She rummaged through her gym bag for a long green cloak and a pair of yellow socks with daisies. Then she pulled out a pink polka-dot baggie for the final touch: a red nose. She took her place among five other women gathered in a circle — one dressed in a pink tutu, others in various combinations of red-, black- and gray-striped tights, silver sequins and puffy bloomers — as they stretched and limbered up in a dance studio in Lower Manhattan. “All right, everybody put your noses on,” said the director, Kendall Cornell, clapping her hands. Ms. Cornell founded Clowns Ex Machina in 2005, when it was known as Kendall Cornell’s Soon-to-Be-World-Famous Women’s Clown Troupe. In her own 22-year performance career, Ms. Cornell said, she continued to hit the glass ceiling of clowning: She was always pushed to be the female sidekick, had few female role models and could not find a space to explore her particular brand of humor. “You had to be like a man to do this work, to open the door,” Ms. Cornell said. “I don’t find too many people interested in investigating what women have to offer that is different.” While some clown routines are scripted — wander on stage, slip on banana peel, fall down — most are developed through improvisation. Physical humor, involving one’s own or another’s body parts, is the hallmark of clowning. And that was the main roadblock Ms. Cornell kept facing, in one professional workshop after another. “It becomes sexual for the men,” Ms. Cornell said. “I remember coming to the center of the circle, I started to dance and some guy says, ‘Take it off!’ And I said, ‘How can I work like this?’ ” Ms. Cornell’s work depends on an all-female environment to transform the taboo into the funny, the sexual into the silly. “Oh, for a world where dropping your drawers meant comedy, not promiscuity!” she wrote on her Web site, www.notjustforshockvalue.com. The troupe draws a sophisticated audience, more the theatergoing type than the slapstick Barnum & Bailey fan. “It’s not the ‘be dump bump’ here’s the laugh,” Ms. Cornell said, referring to standard rimshot humor. When people come to the show, “they have to rediscover their relationship to what’s funny.” A lot of rediscovery happens around women’s bodies. The group has developed full vignettes that rely on breasts as punch lines. It turns out, for all the fanfare they get in car ads and movies, that breasts are pretty funny. READ THE REST OF THE ARTICLE

July Class in DC-- Body-Motion-Gesture

center for movement theatre actor preparation of the body the imagination and the art of collaboration www.thisisthecenter.com 202 462-5810 BODY · MOTION · GESTURE Taught by Dody DiSanto JULY 1 – 29 Tuesday nights 7 - 10pm 5 Weeks Tuition - $250 Class location: The Center 4321 Wisconsin Ave, NW METRO: redline Tenleytown This class will work from the roots of classical pantomime and progress to a fast-paced style of gestural language that develops both micro and macro image building. They will also investigate spatial dynamics through the use of a reduced playing area. Strong ensemble training. Dody DiSanto TRAINING: Diploma, teaching certificate, Laboratoire Etude de Movement from Ecole Jacques Lecoq, where she received a private pedagogic apprenticeship; Etienne Decroux: corporal mime; Ecole Nationale du Cirque: wire, juggling, acrobatics, tap under the direction of Annie Fratellini; George Washington University: Fine Arts, Dance; Corcoran College of Art and Design. Nationally Certified for Massage Therapy and Bodywork. TEACHING: Faculty at The Academy for Classical Acting for The Shakespeare Theatre at The George Washington University, The Yale School of Drama, The Catholic University of America and at The Center for Movement Theatre in Washington DC; Corcoran College of Art and Design: Dynamic Studies in Space, Gesture and Structure; Theatre of Creation Festival: assistant to Jacques Lecoq; Ringling Clown College and many years of residencies, workshops and coaching in various settings from academia to the curb of life. PERFORMANCE: Off-Broadway at LaMaMa E.T.C., Lincoln Center Serious Fun Festival, Theatre for the New City, the Avignon Festival and for television and film. Founder and artistic director of Membrane Theatre Ensemble, and a member of several ensembles, including Chantier Theatre, Present Company, Phoenix Dance Theatre and Barking Rooster Theatre. Dody also created, owned and managed internationally acclaimed music venue, Nightclub 9:30 in Washington DC from 1980-87. INFORMATION – REGISTRATION – WWW.ThisIsTheCenter.com

Didier Danthois

Didier Danthois is a clown and clown teacher based in London, England. Didier first trained in Clowning and Circus skills 24 years ago at the Fratellini Circus School(Paris). He studied Expressionist Dance, Clowning, and then, Indian Raga singing with an Indian master. He is the founder of the Fool at Heart School of Sacred Clowning and teaches, performs, & directs internationally. The school offers Mime Clown & Musical Clown trainings with a focus on bringing out the healing potential of the fool and the clown for today’s world. Didier is also the spiritual director of ClownCare & Co., an organisation bringing Sacred Clowning into healthcare. Didier describes Sacred Clowning as follows: The clown is allowing himself to be vulnerable, to become truly naked to the present, to become empty. Then openness, an unstained perception can manifest, a veil is lifted to the realm of innocence and wonder. A sense of gratitude and a reverence for all things and all people emerge. Love and compassion fill the heart, carrying him, he feels held, as by an infinitively loving mother, holding her child. In that sacred space, everything is alive, and becomes a source of creativity. A dull face in the audience, a balloon exploding, a light-shadow on the floor, dust flying in the air, a bald head shining…Everything around him starts to tell a story, taking him on a journey into the unknown... A forgotten microphone stand takes over the stage. He feels left out, laughter in the audience calls him, he waves his hand, the stand is now looking at him severe and grave, and he shrinks under its power… A story unfolds, where every object speaks, where everybody contributes, where there is an invisible link between all things and all people. Enchanted, he becomes an instrument being played, in service of the unseen. This is Magic. This is Sacred Art. This is the Sacred Clown. Didier has been inspired by the teachings of the Buddha for the last thirteen years. He works towards creating an art which celebrates the beauty of authenticity, compassion & the interdependence of all things and all people. His dedication is to encourage a greater understanding of the Wisdom of the Child. His present work explores the field of emotional and spiritual resonance through the Fool at Heart in mime - dance - music & play, and also through Indian Raga singing, for both adults & children. To find out more about Didier's work, including workshops with him. visit his website listed below: http://www.sacred-clown-as-healer.co.uk

FUNAMBOLIKA 2008 (Italy July 5-8)

Funambolika 2008 is the 2nd edition of the summer circus arts festival particularly focused on clowns, and conceived by Italian clown and director Raffaele De Ritis. It takes places in Pescara, in the Abruzzo region of Italy, in the open-air Teatro D’Annunzio on the Adriatic beach. This is the same 2000-seats arena where Pescara Jazz, one of the oldest and most prestigious jazz festivals in the world takes place (www.pescarajazz.com). Funambolika is organized by the same company Last year's festival featured Jango Edwards and David Larible. This year's festival will have three evenings of entertainment: July 5 DUEL (Paul Staicu, piano – Laurent Cirade, cello) The comedy musical revelation of last year’s Edimburgh and Avignon Festival July 7 PETER SHUB The legendary clown with his solo theatre show “Nice Night for an Evening” July 8 GRAN GALA DU CIRQUE Guest star: Andrei Jigalov An evening of international circus acts (from Monte Carlo Festival, Kiev School, Moscow Circus, Cirque du Soleil appearances) including among others juggler Boul, acrobat Maxim Popazov, contorsionist-swimmer Aqua and others, around a special guest star: clown ANDREI JIGALOV, the king of contemporary russian laughmakers. Pescara is a ten minute drive from Aereoporto d’Abruzzo (www.abruzzo-airport.it ), and is easily connected to via many major cities. For all other destinations, the Rome Fiumicino airport is 2 hours drive. For more information visit the following websites: Funambolika blog: www.funambolika.blogspot.com General program: www.entemanifestazionipescaresi.it Myspace: www.myspace.com/funambolika Tickets: (39) 085-6920057 – (39) 085-4221463 Organization: (39) 085-693093 • (39) 085-4503036 Email: info@entemanifestazionipescaresi.it Artistic direction: rderitis@hotmail.com

Dell'arte MFA program in SF June 13-15

Although this deals with tragedy, and not circus/clowning per se-- the way that Dell'arte trains and deals with tragedy/melodrama is related enough to clown for me to include it here. If you can see the show, check it out and report back! Between Two Winters Created by the MFA Ensemble of the Dell'Arte International School of Physical Theatre Catherine Tuttle, the accomplished and commanding mayor of Kalispell, MT, and her daughter, Naomi, travel to the deserts of Kuwait to honor a hero who was instrumental in extinguishing fires after the war in the Persian Gulf. During the course of the tribute, Catherine and this man recognize one another and now must reconcile a past they both have spent their lives running from. Between Two Winters is the culminating performance of the second year masters students in their study of the Tragic form. Tragedy is a form that, at its root, pits the rational and ordered world against the world of terror and chaos. It deals with the human drive to step out of the chorus to stand for and proceed into the hero's journey, unwilling to be passive anymore in a world that defies logic and reason. This sets the tragic hero onto an irreversible collision course with the unrelenting forces of fate that result in a crash of cosmic proportions. Fri, Jun. 13 - 8:00P Sat, Jun. 14 - 2:30P Sat, Jun. 14 - 8:00P Sun, June 15 - 2:30P At The Magic Theatre For directions to The Magic Theatre, go to: http://www.magictheatre.org/pages/location.shtml Call 707-668-5663 to inquire about student, educator and group discounts For more information, go to: http://dellarte.com/

Daniel Stein workshop July 21-Aug 7 Berkeley, CA

I took this workshop 10 years ago at Dell'arte and it was fantastic then-- I'm sure it's gotten even better now. More information at http://www.berkeleyrep.org/school/adult_index.asp ==================================== generating new material: heart of a poet / mind of an actor / body of a gymnast Instructor: Daniel Stein Give your imagination a whack on the side of the head! Discover concrete ways to get beyond "STUCK" when you're creating new work. Practice ways to think, see and create without the auto-critique shutting you down. This is a hands-on course in generating new material dealing with the emotions of shape, the excitement of rhythms (tempo, architectural, dynamic) and finding ideas from untapped and unconventional sources. Otherwise put: it's training in juggling the juxtaposition of the physical world on stage and the metaphysical world that the audience will eventually take home with them. You, the artist, will go back to your studio with concrete ideas and a running start at building your next project. This work is great for performers, directors, teachers and anyone else looking for freedom and empowerment in their own creativity. Daniel Stein studied in the Professional Actors Training Program at Carnegie Mellon University, where he worked with Jewel Walker. He then studied with Etienne Decroux in Paris, becoming M. Decroux's translator, and began his professional career as an actor with the French National Theatre—a relationship which lasted 20 years. His solo performances have toured in more than 30 countries, and have been seen in the US in venues such as the Kennedy Center and Lincoln Center. He has taught master classes throughout the world at institutions such as Juilliard School and The Institute of Dramatic Arts, Tokyo. Daniel has received grants from the National Endowment for the Arts and is a John Simon Guggenheim Fellow. Daniel served for five years as Dean of Students and another five years as School Director, of The Dell'Arte International School of Physical Theatre. The fall of '08 has him slated to direct in Philadelphia and act in Clown Show for Bruno Shultz in Israel and Germany. Books published that talk about his work: Le Theatre du Geste by Jacques Lecoq, Bordas–Paris Modern and Post Modern Mime by Thomas Leabhart, Modern Dramatists The Origins and Development of the Art of Mime by Annette Lust, Scarecrow Press Monday–Thursday, 7–10PM • 7/21–8/7 • $500

Dan Kamin's new book on Charlie Chaplin!

Dan Kamin, a clown, mime, and expert performer (who taught Robert Downey Jr how to be Charlie Chaplin for the movie Chaplin, and taught Johnny Dep how to be Buster Keaton for the movie Bennie and Joon) is an expert on Chaplin. His previous book on Chaplin is now out of print, very hard to find, and quite good. So I'm happy to announce that Dan has a forthcoming book on Chaplin. Here are the details! FORTHCOMING The Comedy of Charlie Chaplin Artistry in Motion Dan Kamin List Price: $65.00 Discounted Price: $55.25 (15% off) ISBN: 0-8108-6142-9 ISBN-13: 978-0-8108-6142-8 Pub Date: Oct 28, 2008 320 pages Binding: Cloth Availability: Book Flyer DESCRIPTION From his early shorts in the 1910s thru his final film in 1967, Charlie Chaplin delighted audiences in the millions. Chaplin's genius embraced many arts-mime, dance, acting, music, writing, and directing. In The Comedy of Charlie Chaplin: Artistry in Motion, Dan Kamin examines Chaplin's fusion of these arts in his films, providing new understanding of how movement communicates, how comedy routines are structured, and how stage skills can be translated to the screen. An acclaimed comic performing artist himself, Kamin brings a unique insider's perspective to the subject. In the book's first section, he recounts Chaplin's theatrical background, examines how and why he moves the way he does on the screen, and considers how Chaplin adapted his stage technique to the film medium. The book also explains how Chaplin's physical virtuosity led him to create the timeless visual comedy that brought silent films to their peak. Analyzing the principles behind his gags, Kamin also discusses the evolution of Chaplin's character and his unparalleled achievement in conjuring comedy from the fundamental physical laws of movement. Chaplin's dilemma as a silent comedian in the sound era is also explored. Never repeating himself, each of his sound films represents a different experiment in which he integrated antithetical elements-sound and movement, and verbal and visual comedy. Considering these films individually reveals the sometimes surprising ways that Chaplin remained true to his silent roots, at the same time that he kept reinventing himself to keep his art viable. Delving into the intricacies of Chaplin's incredibly sophisticated visual comedy, Kamin offers new insights into how Chaplin achieved his legendary rapport with audiences, and demonstrates why comedy created nearly a century ago is still fresh today. Lavishly illustrated with fascinating historical artifacts and many never-before-published images of the comedian, The Comedy of Charlie Chaplin provides the only in-depth analysis of Chaplin as a movement artist and physical comedian. Revealing the inner workings of Chaplin's mesmerizing art, this book will appeal not just to Chaplin fans, but to anyone who loves comedy. ABOUT THE AUTHOR Dan Kamin performs comedy shows worldwide and is a frequent guest artist with symphony orchestras. He created the physical comedy sequences for the films Chaplin and Benny and Joon, and trained Robert Downey, Jr. and Johnny Depp for their acclaimed performances. Pre-order the book. Find out more about Dan Kamin at his website listed below: http://www.dankamin.com

The Combustibles Present Detritus

Celebrate Earth Day with the Combustibles and their new show Detritus. Here's an email I got from them: "Where does our trash go?" Research for DETRITUS began with the question, "where does our trash go?" But as we dug deeper, other questions bubbled to the surface, like "why do we have so much trash?" One thing we have learned is that nothing is simple when it comes to trash. Have a look at the Story of Stuff, a short video by Annie Leonard. It gets at the complexity of the big picture in a clear and fun way. The Story of Stuff Celebrate with us! How? Come see our work-in-progress performance this week then stick around afterwards, share your thoughts, and be a part of a conversation about sustainability. After the show we'll be at a nearby pub: The Parlour at 250 W 86th St. $4 well & drafts with your program Work-In-Progress Performances Artists of Tomorrow Festival Produced by Six Figures Theatre Company Saturday, April 26 @ 2:00 pm Sunday, April 27 @ 6:00 pm West End Theatre 263 W. 86th Street (Btwn Broadway & West End) Tickets: $15 - Buy Tickets Online Here More Info: www.detritustheplay.com Email Us: info@thecombustibles.com Reminder: The Sustainable Circus is coming! May 29th, 7-9:30pm DETRITUS / THE PLAY Conceived & Developed by the ensemble Performers: Lynn Berg, Audrey Crabtree, Jeff Seal, Anne Sorce & Liza Zapol Directed by: Larissa Lury Assistant Director: Jill Beckman Producer: Teresa Ryno Bouffon Consultant: Eric Davis Music: Dave Edson In association with Ten Directions DETRITUS is made possible in part with the public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs and administered by the Lower Manhattan Cultural Council.

Helen Donnelly

Helen Donnelly is an actor, instructor and theatrical, therapeutic and circus clown. In the past, she was a professional performance storyteller and appeared in over 300 schools and libraries, and as an actor toured various children’s shows in Ontario. She has been teaching clown and movement workshops in the US and Canada for over 6 years at high schools, colleges and art institutions. Helen is a graduate from the University of Toronto with an Honours B.A., Specialist in Drama. Helen has studied clown with David Shiner (Cirque du Soleil, Fool Moon), Roch Jutras (Cirque du Soleil, Cirque Eloize), John Turner and Mike Kennard (of Mump and Smoot fame), Grindl Kuchirka and Theatre Smith-Gilmour. She continues her study of the art form. She has worked with circus groups such as Cirque du Soleil, Cirque Sublime, Cirque Eos, Zero Gravity Circus and continues her work with Circus Orange. Aside from her work in the theatrical clown realm, she is a professional therapeutic clown offering friendship and therapeutic play at Bloorview Kids Rehab and worked at The Hospital for Sick Children for 2 years. She is a member of The Canadian Association of Therapeutic Clowns. In 2005, Helen formed her own theatrical clown company, Foo Productions. This company seeks to produce quality theatrical clown shows which entertain through parodying existing art forms. Its other mandate is to expose clown to a more multicultural audience as the language used presents no barrier. Posey’s Wig is a theatrical clown musical, performed entirely in gibberish (an invented language) with original music. The Foo Talk Show,created primarily for the corporate world, parodies the talk show formula as Foo the host interviews in gibberish with the guests responding in English. The format showcases Foo’s unique interview style and a musical sidekick (James Fisher), with original music. Helen also teaches a number of workshops, including "Discover Your Clown" for beginners and "Flexing Your Clown Muscle" for intermediate students. These are offered a few times a year. Her website has a downloadable list of upcoming workshops. To find out more about Helen's work, visit her website listed below: www.helendonnelly.com

BAMBOUK show in NY starting April 16

Bambouk brings their Vaudeville-inspired silent comedy to NY for a limited run from April 16-27. Bambouk is the creation of two American theatre clowns, Matthew Duncan and Brian Foley. Matthew and Brian juggle plates, flip hats, ride a sixfoot unicycle, play the accordion, ukulele and musical saw, even make an audience member float in mid-air! They wear no makeup, just red noses and tuxedos. BAMBOUK has opened for the Drifters, the Platters and Charo, and shared the stage with award-winning circus artists from the Moscow Circus, Nanjing Acrobatic Troupe, Big Apple Circus and Cirque du Soleil. Together and individually they have been the featured physical comedians in stage productions, ice shows, cruise ships and theme parks since 1990. BAMBOUK has been seen multiple times in China, Japan, Alaska, Mexico, the Caribbean islands, and throughout the contintental U.S. BAMBOUK Bald Comedy. In Tails. WHEN: Opens April 16 - April 27, 2008 WHERE: American Theatre of Actors located at 314 West 54th Street, 2nd Floor SCHEDULE: Tuesday-Friday at 8pm; Saturday 2pm and 8pm; Sunday 2pm and 7pm PRICE: Tickets are $30 for Adults, $20 for Children aged 8 to 13 OTHER NOTES: Not suitable for children under 8. Recommended for Adults. Call SmartTix at 212-868-4444 or visit www.smarttix.com Running time is 1 hour, 45 minutes with one intermission More information: http://www.bambouk.com/

Think Foolishly

Drew Richardson (aka The Dramatic Fool) has been busy blogging. His blog- Think Foolishly, features exercises, comments, interviews, and examples of his work in the really hard work of the clown- creative problem-solving. Or, how to do stuff logically that's just wrong, but doesn't seem wrong to your character. Sometimes when I'm teaching clowning and improvisation, I call this "predicamenting"-- finding or manufacturing the predicament that your character (or characters) get into. It takes skill and talent to set up the proper scenario. Over at Drew's blog-- he's got several assignments to learn how to be a better predicamenter-- the last one as of today was to build a "Foolish Tool Kit"-- a kit that fits in your suitcase that can be used to solve (and create) a number of problems. His before and after photos are funny! Also on the blog are film clips of masters (and of Drew's latest work) , an interview with creativity coach Eric Maisel, and other exercises to help you Think Foolishly. Definitely worth checking out!

Clowns Talk about Clowning- YouTube Videos

Jim Moore, the variety arts photographer who has probably photographed more clowns than anybody in the history of photography, has been doing something new-- he's been videotaping clowns. If you check out his YouTube videos (URL below), he's putting up interviews with performers as they talk about their work, how they create their work, and even why they create their work. Jim's got tons of archival stuff, so who knows what else he's got in his archives. Recently he posted an interview with Keith Nelson of the Bindlestiff's, and he's also got David Engel and Hilary Chaplain talking about creating a new act for David's character El Magnifico. HILARY CHAPLAIN & DAVID ENGEL VIDEO I suggest subscribing to his YouTube feed on the page, or checking in there pretty often to see what rare and interesting material he surfaces. He'll also be interviewing somebody from the NY Downtown Clown Revue every month, where he remains the official staff photographer) (And speaking of subscribing, thanks to the ever more efficient Pat Cashin of Clownalley.net for the link to Keith's interview. I knew Jim was putting these videos together, but didn't think to mention them until I saw Pat's post. He beats me to the punch a lot in posting stuff.) If you are not RSS'ing Clownalley.net, you should be! Jim's Youtube page: http://www.youtube.com/profile_videos?user=jm5star&p=r Pat Cashin's Clown Alley: www.clownalley.net

Workshop with Ronlin Foreman 3/2 in Chicago

On Sunday March 2, Master Clown Teacher at the Dell'arte School RonLin Foreman and Joe Krienke will teach a class entitled: The Powerful Presence: Effort, Risk Momentum, Joy. The 3 hour workshop, at the Steppenwolf Theatre in Chicago, will include work on the actor's presence, physical efforts, movement and improvisation. Ronlin was one of my teachers at Dell'arte. And while I certainly didn't agree with everything that he said (in fact, at one point he told me that "I misunderstood the nature of education."), I have to say that he is an amazing clown, and for certain people, can be an excellent teacher. Years later, I feel like I am incorporating some of the things in my work that I didn't understand at the time (and that RonLin didn't help me understand at the time, either-- which made it a frustrating experience then) I highly recommend studying with him. One of the pieces that I continue to use when thinking or teaching now: The clown must truly fail in order to succeed. Not pretend to fail. Not fail at something with low stakes. The clown must be at the point of failing, and at that moment, the audience will ALLOW the clown to succeed. This point of view is obviously more useful in the theatre than in the circus, where you need to get on, do your funny, and leave. But it still applies. This is the bio from Ronlin's classes at the Clown Festival two years ago: A provocative teacher and director, Ronlin Foreman is Director of Pedagogical Research and Master Clown Teacher at the Dell'Arte International School of Physical Theatre in California. Zany and poignant, Foreman's uniquely confrontational and poetic brand of physical theatre has been featured at major international Movement, Theatre and Clown festivals in Mexico, Spain, Canada and the U.S. Foreman's hallmarks are his character (drawn from the fool, the clown, and the grotesque) and his ability to play profoundly with comedy, and irreverently with the profound, and outrageously with an audience. The workshop at Steppenwolf will go from 10am-1pm. From 2pm-6pm, auditions will be offered for admission to the Dell'arte School of Physical Theatre. Space is limited to 35 people. Participation fee of $100 required at time of reservation. Space preference and fee waivers are available to serious program applicants. To register, email Louise at louise@dellarte.com WHEN & WHERE Steppenwolf Theatre's Garage Space 1650 N. Halsted St., Chicago, IL. (south side of the parking lot) Workshop: 10am to 1pm Auditions: 2pm to 6pm To find out more about Dell'arte, visit their website listed below: www.dellarte.com

Circus Juventas

Circus Juventas is a performing arts youth circus school located in St. Paul, Minnesota and serving the Twin Cities metro area. They offer youth circus arts training and performance opportunities for children and youth ages 3 to 21 in a safe and noncompetitive environment. Circus Juventas was founded in 1994 by former circus performers Dan and Betty Butler. Originally known as Circus of the Star, it began as an after-school program in a neighborhood recreation center. The initial offerings were limited and could accommodate only 30 students. From the start, classes were filled to capacity. Realizing that the need for this kind of education was great, Dan and Betty founded a non-profit, got a board of directors, and started raising money. By the time they opened their doors in 2001 in a long term lease from the city of St. Paul, they had raised over 2.1 million dollars and created a 21,000 square foot Big Top to work in Since that time, their enrollment has doubled, then doubled again. Juventas was the Roman goddess of youth who had the mythical power of rejuvenation, and because of Circus Jeventas, hundreds of thousands of delighted spectators have experienced the mystique and rejuvenating powers of the circus arts. To find out more about Circus Juventas, visit their website listed below: http://www.circusjuventas.org/

Clown Show for Bruno Feb 27,28 in Atlanta

Acclaimed mime Daniel Stein and Dell'arte graduates Kali Quinn and Bill Celentano are featured in a new show about Polish artist and novelist Bruno Schultz (author of the classic Street of Crocodiles) Schulz was killed in the Holocaust in 1944 by a German officer. The show will be performed at Atlanta's PushPush Theatre. The play,written by author Murray Mednick, is produced in association with Padua Playwrights. In 1978, Murray Mednick and five other playwrights, including Sam Shepard and Maria Irene Fornes, converged on the old Padua Hills estate in the foothills of the San Gabriel Mountains, just east of Los Angeles. The playwrights, as well as playwriting students and actors, were given free reign to re-investigate their creativity, developing writing exercises for the morning, rehearsing in the afternoon, and presenting the results in the evening. Since 2000, Padua has become a production company that produces works as well as inspires them. The Bruno Project is expected to tour throughout the world, Poland, Germany, the Ukraine and Israel. Guy Zimmerman’s direction uses elements of mask, clowning and other theatrical disciplines to underscore the lyrical poeticism of Mednick’s text. This timeless production will speak to audiences at all levels – young and old, Jewish and non-Jewish - but will have a particular impact on younger audiences looking for new ways to understand the Nazi genocide. Key collaborators in the Bruno project include, playing the lead, celebrated Commedia performer and teacher Daniel Stein. After attending the professional actor training program at Carnegie-Mellon University, Stein studied in Paris with French master Etienne Decroux, and made his home in Paris for 20 years. Daniel started his professional career as an actor with the French National Theatre, and his solo performances have toured in more than 30 countries, as well as in theatres such as the Kennedy Center and Lincoln Center here in the United States. Formerly head of the Dell'Arte International School of Physical Theatre, in Blue Lake CA (among many other prestigious teaching credits), Stein is joined for this production by two of his star students, Kali Quinn and Bill Celentano, who have made names for themselves in the Los Angeles and New York theater community. Also on board for Padua’s production of Clown Show for Bruno are award-winning designers John Zelewski (music and sound design), Ann Closs-Farley (costume design), Jeffrey Atherton (set and mask design.), and current Padua director Guy Zimmerman SHOW DATES Monday, February 25: Danville, Kentucky - Centre College, Norton Center for the Arts (Studio 502) Wednesday, February 27: Decatur, Georgia - Push Push Theater Thursday, February 28: Atlanta, Georgia - Goethe Institute Library To find out more about the show and the theatre, visit the websites listed below: http://www.pushpushtheater.com/ http://www.paduaplaywrights.net/ On the Padua site, there is a video (apparently not linkable) that you can view which is an interview with author Murray Mednick about the project. The video also features scenes from the production.

Dell'arte Workshop in LA 2/9/08

In conjunction with the LA tour of The Golden State, the Dell'Arte Company is offering a one-day workshop at 24th Street Theatre in Los Angeles on Feb. 9. Where: 24th Street Theatre When: Saturday, Feb. 9, 2008, 2:00-6:00pm Cost: $100 This four-hour workshop will be an exploration of the physical comedy techniques and ensemble-based exercises at the core of Dell'Arte's work. Physical theatre explores how proven notions of craft interact with an individual's physical expressive possibilities. From commedia and vaudeville to contemporary theatrical circus, Dell'Arte training is the source of the work necessary to become an actor/creator. Capacity: 25 students Come dressed to move and ready to play. Taught by Joan Schirle, School Director of the Dell'Arte International School of Physical Theatre You can purchase your "ticket" to the workshop at the website listed below (more info about Dell'arte and their show (which the SF Bay Guardian called "...a glittering gem of a farce") is also listed below. WORKSHOP: MORE INFO/PURCHASE THE GOLDEN STATE: MORE INFO/PURCHASE TICKETS ABOUT DELLARTE: http://www.dellarte.com

Donimo the Silent Clown

International stage and television performer Donimo (born Jonathan Baker) has an extensive background in physical and movement theatre, and has performed around the world for the past 25 years. Jonathan created Donimo by combining the ancient art of clowning with the world of silent screen comedy and the contemporary theatre techniques of Jacques Lecoq, Philippe Gaulier and Pierre Byland. Donimo first appeared on British T.V screens with an award winning performance on Central Television's talent show New Faces, where he received the largest public vote in the history of the series. He has since appeared on a number of shows in England on the BBC and other networks, as well as on TV shows all over Europe and South America. Donimo has appeared with a number of circuses and stage shows in Branson Missouri, Reno Nevada, Edinburgh Scotland, Atlantic City, Holland, Japan, and on the Cirque Dream Tour in North and South America. He has also been a regular on a number of cruise ship lines, and at festivals and corporate shows throughout England and Europe. Donimo has performed at a number of celebrity party and gala's, including Prince Charles' 40th birthday party, the Birthday Party Gala of the Sultan of Brunei, and for King Hassan of Morocco and his family. He also performed at the "Sons of the Desert Anniversary Celebration" where he was praised by no less a persona than Hal Roach. He has also worked with Phil Collins, Rick Wakeman, Sir Cliff Richard, David Essex, Stevie Wonder, Freddie Star, Ken Dodd, and Cannon & Ball. Donimo has been awarded the Gold Clown Award at the Comedy Arts Festival in Tianjin, China and is a Silver Medalist of the prestigious Festival Mondial du Cirque de Demain in Paris. Jonathan has taught circus and performing arts classes for the Prince of Whales Trust and was awarded a grant from the Queen's Silver Jubilee Trust for his extraordinary acting and teaching abilities. To find out more about his work, please visit his website listed below: http://www.silentclown.com