Authentic Dynamics Workshop: Momentum & Change (NY)

Authentic Dynamics: momentum and change for actors and clowns Join Under the Table's Matt Chapman on Saturday, July 5 in Brooklyn for a unique physical investigation of the dynamics of the performer This world works on certain undeniable dynamics. To perform with authenticity, the actor must have the ability to identify and navigate them. In this workshop, a few fundamentals of the stage will be explored, including johakyu ( beginning/middle/end, or how things grow, break, and resolve), minimum-to-maximum, evolution, and the rhythms of comedy. W This workshop is appropriate for actors, clowns, and directors of all levels. Learn to see human action and comedy onstage more clearly. Dress to move and bring water. When: Saturday, July 5, 2008. 1-6:30 pm Where: Triskelion Arts: 118 N. 11th St, 3rd Floor. (L to Bedford, Williamsburg, Brooklyn) Cost: $75 (Limited scholarships are available) To register, reply by email. Payment holds your slot. us@underthetabletheatre.org Note: Class size is limited. If it gets filled up, they'll add a repeat section on Sunday the 6th, so if you're interested in that, let Matt know quickly. __________________________________________________________ Matt Chapman is a performer, director, and teacher of physical theatre and clown. He is Artistic Director of Brooklyn's Under the Table, a physical theatre ensemble. He also tours as an actor with Dell'Arte International (California). In the US, Matt has taught Clown and Improvisation as adjunct faculty at Marymount Manhattan College and Manhattanville College in New York, and has taught workshops at New York University, Vassar College, Sarah Lawrence College, Towson University, Luther College, the University of Iowa, the University of North Dakota, the New York Fringe Festival, and the Carolinian Shakespeare Festival, as well as working in public schools and with the mentally ill in New York care facilities. He has served as an assistant to Ronlin Foreman, Clown master and Director of Pedagogy at Dell'Arte International. Matt teaches abroad as well; his workshops in the last year have included South Africa, Denmark, the Netherlands, and England. This past winter and spring, Matt directed "Circus Life," a contemporary circus work about HIV/AIDS in Durban, South Africa, toured the US teaching workshops for Dell'Arte International through the Kennedy Center American College Theatre Festival, and taught Clown workshops in Denmark with the other members of Under the Table while on tour there. He attended the Dell'Arte International School of Physical Theatre and received his bachelor's degree from the University of Kansas. To find out more about Matt's work, please visit the websites listed below: http://www.underthetabletheatre.org http://www.clownnosefactory.com

Umo Ensemble

Over the past 20 years, the UMO Ensemble has become known as one of the most innovative, compelling and critically acclaimed performance companies based in the Pacific Northwest. The Ensemble has performed in theaters, at festivals and in schools throughout the Northwest, the United States, Canada and Europe. The mission of the UMO Ensemble is to stir the human spirit and incite the imagination by providing awe, challenge and inspiration through original and compelling physical theatre. Based in Vachon Island, in the Seattle Washington area, the ensemble has created over 20 new works since they started collaborating together in 1987.  The company is committed to an Ensemble of performers who create and compose their own production.  The work is rooted in physical theatre, although each ensemble member has their own interests.  For each production, an ensemble member serves as artistic director, holding the larger picture in mind.  Improvisations in movement, character, vocalizing, and writing are the basis for the creation and development of their new works. Since their arrival on Vashon Island in 1989, UMO Ensemble has created over twenty original works for the theatre. The Ensemble's material reflects their diverse range of styles and skills: the copper sculpture "dance animation" of Instinction (1987); the fifteen foot tall puppetry of Who Nose (1990), the mask and Red Nose clown work of Midnight Comix (1990) and Naughty Bits (1991), the lovably irreverent Buffoons of El Dorado (1992) and Insatiable Cabaret (1993); the acrobatic Djool of Caravan of Dreams (1994); the haunting, stripped-down beauty of Digging (1996) and Body Inheritance (1997); the archetypal fables of Expressions of the Spirit (1999); the breathtaking aerial virtuosity of Millennium Circus (1999), the musical and architectural richness of Cities (2001), the poignant and darkly comedic Fatal Peril (2003) and the playful and revealing Rapunzel (2005). The current ensemble has seven members: Esther Edelman, Martha Enson, David Godsey, Elizabeth Klob, Janet McAlpin, Amy Rider & Lyam White.   Each of them has a different background in theatre, dance, and the arts, making their productions rich and varied in technique and style. Umo Ensemble also has an extensive workshop and residency program, and works extensively in the Washington State school system. To find out more about their work and upcoming productions, visit their website listed below: http://www.umo.org