Thank you for visiting the clownlink!

Friday, July 18, 2008

Historic & Triumphant Return of the Flea Circus to Coney Island

A little bit of a shameless plug, but truthfully, I've done most of my best work by being shameless. It's when I get shameful that I have to worry!

Anyway, it's probably the last flea circus gig before the baby is born (unless something happens in the next week!) so come check it out if you can!

Click the image for a larger poster.

The Flea Circus Returns To Coney Island!


Coney Island Flea Circus Poster ==============================

WHAT: Acme Miniature Flea Circus at the Coney Island Museum

WHERE: Coney Island Museum, 1208 Surf Ave. Brooklyn NY 11224-2816

WHEN: Sunday July 27, 2008 at 4pm.

COST: $5

MORE INFO: http://www.coneyisland.com

MORE INFO: http://www.trainedfleas.com/coneyisland.html

CALL: 718 372 5159

ELECTRONIC PRESS RELEASE: Press Release PDF (707K: must have Adobe Reader)


PUBLICITY PHOTOS: Press Images of the show

============================

Labels: , , , ,


Thursday, July 17, 2008

A& E Classic Comedy Clearance.

I've gotten a couple of classic physical comedy offers from A & E Entertainment. They're doing a clearance on some great stuff. I thought it would be of interest to some of my readers here.

DISCLAIMER: If you do click and buy any of this stuff, I'll get some small advertising cut... But don't let that deter you from getting some major deals on classic physical comedy DVD's. These are great, and I will probably own most of them before the month is out.

These offers are only good through 8/6/08, or until they sell out.

=============










Benny Hill: The Complete Collection DVD Set




DVD
Availability: In Stock
Ships to U.S. and Canada
6 DVD(s) / 48 Hrs 20 Min
Closed Captioning: No
Was: $149.95 Save $59.98(40%)
On Sale: $89.97
CLICK TO BUY

The 16-Ton Monty Python DVD Megaset



DVD
Availability: In Stock
Ships to U.S. and Canada
16 DVD(s) / 1749+ Minutes
Closed Captioning: No
Was: $99.95 Save $39.98(40%)
On Sale: $59.97
CLICK HERE TO BUY

Rowan Atkinson Live! DVD




DVD
Availability: In Stock
Ships to U.S. and Canada
1 DVD(s) / 55 Minutes
Closed Captioning: No
More Details
Clearance, Save 50% !
Was: $19.95
Now: $10.00

CLICK HERE TO BUY


Mr. Bean: The Whole Bean DVD Set






DVD
Availability: In Stock
Ships to U.S. and Canada
3 DVD(s) / 350+ Minutes
Closed Captioning: No
$39.95
CLICK HERE TO BUY

Labels: , ,


News From NY Downtown Clown Revue

This Month's Revue- OPEN NOSE

July 21st. Open Mic, - Open Nose 

The July 21st Clown Revue will be an Open Mic for CLOWNS- The New York Downtown Clown Open Nose!

The first 10 performers to arrive and sign up will be given 5 mins of performance time to do anything they want as long as it is in some way "clown".

Expect the unexpected!

If you have an act or an idea you would like to try out in front of an audience July 21 Is Your Opportunity!

When: July 21st, 8:00 pm
At: The KRAINE THEATER (85 EAST 4TH STREET)

Free to perform. ONLY $5 to Watch.

BUY TICKETS HERE


 ------------------------------------------------------------------
How To Perform- Come to the Kraine Theater(85 E 4th St) at 7pm to sign up. A running order will then be randomly selected. Your act must be low tech and under 5min (stage lights will go black at 5mins). We can play music for you and there will be a mic, You must do your own set up, strike and clean-up. NO LIGHT CUES.

Clown of The Year Runs for President! 

Kinko the Clown from famed Bindlestiff Family Cirkus and 2008 New York Downtown Clown of the Year is running President! To learn more about his platform and how you can help visit www.kinkoforpresident.com

Your Clown Calendar 

Performances

Clown Revue JULY 21st, 8pm. OPEN NOSE an all clown open Mic!

Bouffon Glass Menajoree A sacrilegious and unapologetic parody of an American Classic Tennessee Williams' classic tale is ripped wide open in this twisted and outrageous bouffon parody. Each night a new audience member plays the role of the Gentleman Caller. Winner of the NY Innovative Theatre Award for Outstanding Production. http://www.bouffonglassmenajoree.com/ Fri 10:30pm, June 20 - Aug 29 @ Green Room at 45 Bleecker Theatre (at Lafayette) Tickets $15

Kill Me Loudly A Clown Noir Fri & Sat at 8pm.July 11, 12, 18, 19, 25, 26.
Milagro Theater at Clemente Soto Velez 107 Suffolk btwn Delancey & Rivington (to purchase tickets in advance go to http://www.brownpapertickets.com/event/37898)

Clown Axioms - a brand new work-in-progress from Kendall Cornell and Clowns Ex Machina July 31st, August 1st & 2nd @ 7:30pm At: Manhattan Children's Theater 52 White St. (btw. Church and Bdwy) Tix: $15 advance via www.weird.org or theatermania.com or 212-352-3101At door: $18, $10 student/senior (cash only) more info: www.notjustforshockvalue.com

The Maestrosities: Caught in the Zipper!  The Maestrosities host their own monthly variety show at the Zipper Factory on the 1st Monday of eack month 8:00pm, at The Zipper Factory   336 W. 37th St.  (btwn 8th & 9th Aves.) NYC.

The Silent Films (some clowns)- http://www.silentfilmmusic.com

Training

New York Downtown Clown Slapstick Dojo - Every Wed- Info HERE

Introduction to Bouffon with Eric Davis. Sundays 1-4 PM -July 13, 20, 27, & August 3, 10. Location 115 McDougal St.  NYC. info@redbastard.com for more info.

Columbus Program for more info or to sign up email columbus_program@hotmail.com

Jef Johnson's Clown Lab For info visit: www.nyclown.com

NY Goofs Clown School www.nygoofs.com in NYC this August!

Juggling Class with Flying Karamazov Brother Roderick Kimball  every Tuesday night.  For info, visit http://www.jugglingclasses.com


Wednesday, July 16, 2008

Bindlestiffs Reality Show on the web


Add another show to your summer web watching schedule. The Bindlestiff Family Cirkus has a new reality show that is being broadcast on the web. Each week will feature a mini-sode that is a different aspect of working with the Bindlestiffs-- booking, rehearsing, performing, touring. The trailers look like they are taken from all over the last 10 years or so (or at least incorporate footage from that time period.)

The whole thing is supposed to start on 8/1/08, but there's some pretty good footage/trailers up on the site now. Here are some screengrabs from the trailers.


For more information or to watch the show, visit the websites listed below:

WEBISODES: http://www.thebindlestiffs.com

WEBSITE/INFO: http://www.bindlestiff.org

Labels: , , , , , ,


Monday, July 14, 2008

SEEKING AFRICAN-AMERCAN AND HISPANIC MIMES FOR PAID COMMERCIAL

Got this via email just now:  might be good for somebody out there reading this:

SEEKING AFRICAN-AMERCAN AND HISPANIC MIMES FOR PAID COMMERCIAL

DEPT OF HEALTH ABSTINENCE CAMPAIGN
PAY RATE: $1000 for fitting/rehearsal day
$2000 for shoot day including 2 year buyout
Casting Director: Strickman-Ripps
Audition: Wednesday, July 16
Shoot: July 31, 2008
Location: New York

Seeking Mimes. We are open to those who have professional movement and
professional dance experience, but will need to be familiar with miming and
will need to prepare short mime
performance.

[DAD] African American and Hispanic, ages 30¹s-mid 40¹s.
[GIRLS] African American and Hispanic, ages 10-­14.

If interested and available, please call Strickman-Ripps Casting ASAP:
212-966-3211


Labels: ,


Friday, July 11, 2008

Clown Axioms & The Bitter End

Axiom_Titlebig.jpg

Thursday, Friday and Saturday: July 31st, August 1st & 2nd

All shows: 7:30pm



Axioms_Image_TitleBIG.jpg
BP_Title300.jpg






Created and directed by
Kendall Cornell
Written and performed by
Kevin Draine

Nine women clowns spin tales of gothic romance and gory
fairy tales with high comedy and unexpected twists.


Clown Axioms is a brand new work-in-progress from
Kendall Cornell and Clowns Ex Machina
(formerly known as Kendall Cornell's
Soon-To-Be-World Famous Women's Clown Troupe).



more info:
www.notjustforshockvalue.com


The Bitter Poet unleashes all new guitardriven high energy poetic outbursts on his search for Love in all the wrong stripclubs and over-priced cafes!







more info:
www.thebitterpoet.com

Location: Manhattan Children's Theater 52 White St. (btw. Church and Bdwy)

Tickets: $15 advance via www.weird.org or theatermania.com or 212-352-3101

At the door: $18 general admission, $10 student & senior (cash only)



Labels: , , ,


Sunday, July 6, 2008

Jeune Lune, Mum Puppet Theatre close

This isn't quite about clowning, but I wanted to talk about-- and since it includes two very important theatres that use clowning techniques, I think doing it here is right.

I've just read about two very well respected regional theatres that specialize in "popular theatrical techniques" that are shuttering their doors.

Theatre de la Jeune Leune of Minneapolis, which was founded by students of Jacques LeCoq, and contributed a number of wonderful "physical theatre" plays to the Minneapolis scene (and toured nationally, also) is closing after 30 years. They had won a Tony a couple of years ago as the best regional theatre, even. ARTICLE





Simultaneously, the Mum PuppetTheatre of Philadelphia is also closing after 23 years. This theatre, founded by puppet wunderkind Robert Smythe, was consistently creating new puppet works, and hiring and promoting some of the most interesting work in the area. ARTICLE

Both theatres were highly innovative, very well regarded in their field, had recently won major awards.

So what happened? And is this a harbinger for more closings to come?

Both of the closings seem to be about money, and about energy. It takes a great deal of money to keep a working theatre going, and even more energy. In the case of Mum-- in another philly.com article, Robert said that he realized he was keeping it open mostly to support other artists, and not himself. And for Jeune Lune, according to the Star-Tribune, it had been losing steam since the awards, and the loss of their artistic ensemble.

It seems that both theatres would have been perfectly situated to continue onwards, but they couldn't find another person (in the case of Mum) and didn't find another person (in the case of Jeune Leune) to find a new way to make it successful.

In other words, secession planning.

Original founders can keep stuff going long past their prime based on their personal energy, charisma, and the fact that they already know how to do it. They've got a following, they're following their own vision, and they made it happen-- so they have the confidence that can keep stuff going. But when they retire or move on or do whatever, it can become very difficult to find someone to carry on their vision-- to defeat the cult of personality that they were able to create to make their vision happen.

In one of my books about non-profit organization, the author talks about how when somebody retires from the non-profit, they'll say "Oh, she did the work of three people." But the non-profit never figured out how to raise the money to hire the three people they are going to need to replace them-- so they get stuck in this trap of not having enough money to do the services that need to be done in order to get things going.

I've been thinking a lot about these issues, as we figure out what to do about the non-profit festival that I direct http://www.brightnight.org. I do most of the work for it, and I love doing it, but we have to figure out a secession plan-- nobody can be around forever. And I'm already in my sixth year!

If you have any ideas about how to save theatres, or more insight into why theatres might be closing down, please write them in the comments!

Labels: ,


Friday, July 4, 2008

RIP, Larry Harmon


Thanks to Pat Cashin's Clownalley.net for the heads up.

Larry Harmon, the licensor of Bozo the Clown died Thursday due to congestive heart failure.

Say what you will about Bozo, but Larry Harmon was personally responsible for entertaining millions of children.he entertained MILLIONS of children over the years. And that makes him a giant in my book.

RIP, Bozo!





Larry Harmon, who turned the character Bozo the Clown into a show business staple that delighted children for more than a half-century, died Thursday of congestive heart failure. He was 83.

His publicist, Jerry Digney, told The Associated Press he died at his home.

Although not the original Bozo, Harmon portrayed the popular clown in countless appearances and, as an entrepreneur, he licensed the character to others, particularly dozens of television stations around the country. The stations in turn hired actors to be their local Bozos.

"You might say, in a way, I was cloning BTC (Bozo the Clown) before anybody else out there got around to cloning DNA," Harmon told the AP in a 1996 interview.

"Bozo is a combination of the wonderful wisdom of the adult and the childlike ways in all of us," Harmon said.

Pinto Colvig, who also provided the voice for Walt Disney's Goofy, originated Bozo the Clown when Capitol Records introduced a series of children's records in 1946. Harmon would later meet his alter ego while answering a casting call to make personal appearances as a clown to promote the records.

He got that job and eventually bought the rights to Bozo. Along the way, he embellished Bozo's distinctive look: the orange-tufted hair, the bulbous nose, the outlandish red, white and blue costume.


"I felt if I could plant my size 83AAA shoes on this planet, (people) would never be able to forget those footprints," he said.

Read the rest of the article on the NY Times:
http://www.nytimes.com/2008/07/04/arts/television/04bozo.html

Labels: , , , ,


Seattle Clown Classes with Arne Zaslove

Arne Zaslove is teaching a class on clowning and physical theater in Seattle on 7 consecutive Mondays starting July 7. Classes will be held from 7 pm- 8:30 pm.

Classes will be held at [SANCA] The School for Acrobatics and New Circus Arts – 674 S. Orcas, Seattle. The class is a very reasonable $133.

Arne Zaslove is a director, teacher, mask specialist and physical theater consultant. As a Fulbright scholar, Arne was the first American to study at Ecole Jacques Lecoq in Paris. There he absorbed a deep understanding of masks and of physical theater. He later apprenticed with commedia dell' arte master Carlo Mazzone-Clementi (who went on to found the Dell' Arte School of Physical Theatre in Blue Lake).

Arne's method of training actors was synthesized through years as Artistic Director of the National Theatre School in Canada, co-founder of the University of Washington PATP program, and Associate Professor at the University of British Columbia. His approach focuses on freeing the individual's body and imagination through a carefully devised sequence of physical exercises, mask work and improvisation. His students have gone on to varied and successful careers, from the circus to Stratford and Hollywood.

Arne has directed and taught in many regional theaters and universities across the U.S. and Canada. During his 20-year tenure as Artistic Director of the Bathhouse Theatre in Seattle, his updated Shakespeare productions and 17 versions of The Big Broadcast (a tribute to the golden age of radio) were especially popular with audiences for their sensitive interpretations and inventive flair. Arne has also worked extensively with David Shiner, and directed the cabaret/theatre/dinner show Pomp, Duck, and Circumstance, which has been featured in Berlin, Seattle, and San Francisco.


To find out more about the class, contact Tara Jensen at SANCA 206-652-4433 or visit the website listed below:
http://www.sancaseattle.org

To find out more about Arne Zaslove, follow the link below:

http://www.zaslove.com

Labels: , , , ,


Friday, June 27, 2008

July Class in DC-- Body-Motion-Gesture


center for movement theatre
actor preparation of the body
the imagination
and the art of collaboration
www.thisisthecenter.com 202 462-5810

BODY · MOTION · GESTURE
Taught by Dody DiSanto

JULY 1 – 29 Tuesday nights 7 - 10pm 5 Weeks Tuition - $250
Class location: The Center 4321 Wisconsin Ave, NW
METRO: redline Tenleytown

This class will work from the roots of classical pantomime and progress to a fast-paced style of gestural language that develops both micro and macro image building. They will also investigate spatial dynamics through the use of a reduced playing area. Strong ensemble training.

Dody DiSanto
TRAINING: Diploma, teaching certificate, Laboratoire Etude de Movement from Ecole Jacques Lecoq, where she received a private pedagogic apprenticeship; Etienne Decroux: corporal mime; Ecole Nationale du Cirque: wire, juggling, acrobatics, tap under the direction of Annie Fratellini; George Washington University: Fine Arts, Dance; Corcoran College of Art and Design. Nationally Certified for Massage Therapy and Bodywork.
TEACHING: Faculty at The Academy for Classical Acting for The Shakespeare Theatre at The George Washington University, The Yale School of Drama, The Catholic University of America and at The Center for Movement Theatre in Washington DC; Corcoran College of Art and Design: Dynamic Studies in Space, Gesture and Structure; Theatre of Creation Festival: assistant to Jacques Lecoq; Ringling Clown College and many years of residencies, workshops and coaching in various settings from academia to the curb of life.
PERFORMANCE: Off-Broadway at LaMaMa E.T.C., Lincoln Center Serious Fun Festival, Theatre for the New City, the Avignon Festival and for television and film. Founder and artistic director of Membrane Theatre Ensemble, and a member of several ensembles, including Chantier Theatre, Present Company, Phoenix Dance Theatre and Barking Rooster Theatre. Dody also created, owned and managed internationally acclaimed music venue, Nightclub 9:30 in Washington DC from 1980-87.

INFORMATION – REGISTRATION – WWW.ThisIsTheCenter.com

Labels: , , , ,


Friday, June 20, 2008

Didier Danthois

Didier Danthois is a clown and clown teacher based in London, England. Didier first trained in Clowning and Circus skills 24 years ago at the Fratellini Circus School(Paris). He studied Expressionist Dance, Clowning, and then, Indian Raga singing with an Indian master.

He is the founder of the Fool at Heart School of Sacred Clowning and teaches, performs, & directs internationally. The school offers Mime Clown & Musical Clown trainings with a focus on bringing out the healing potential of the fool and the clown for today’s world. Didier is also the spiritual director of ClownCare & Co., an organisation bringing Sacred Clowning into healthcare.

Didier describes Sacred Clowning as follows:


The clown is allowing himself to be vulnerable, to become truly naked to the present, to become empty. Then openness, an unstained perception can manifest, a veil is lifted to the realm of innocence and wonder. A sense of gratitude and a reverence for all things and all people emerge. Love and compassion fill the heart, carrying him, he feels held, as by an infinitively loving mother, holding her child.

In that sacred space, everything is alive, and becomes a source of creativity. A dull face in the audience, a balloon exploding, a light-shadow on the floor, dust flying in the air, a bald head shining…Everything around him starts to tell a story, taking him on a journey into the unknown...

A forgotten microphone stand takes over the stage. He feels left out, laughter in the audience calls him, he waves his hand, the stand is now looking at him severe and grave, and he shrinks under its power…

A story unfolds, where every object speaks, where everybody contributes, where there is an invisible link between all things and all people. Enchanted, he becomes an instrument being played, in service of the unseen. This is Magic. This is Sacred Art. This is the Sacred Clown.





Didier has been inspired by the teachings of the Buddha for the last thirteen years.
He works towards creating an art which celebrates the beauty of authenticity, compassion & the interdependence of all things and all people. His dedication is to encourage a greater understanding of the Wisdom of the Child.

His present work explores the field of emotional and spiritual resonance through the Fool at Heart in mime - dance - music & play, and also through Indian Raga singing, for both adults & children.

To find out more about Didier's work, including workshops with him. visit his website listed below:

http://www.sacred-clown-as-healer.co.uk

Labels: , , ,


Sunday, June 15, 2008

Last week for Bill Irwin in Philadelphia

Bill Irwin's show The Happiness Lecture has been extended for one week in Philadelphia. If you have the opportunity, you should see it!

I drove down from NY on Saturday to see it. Overall it was great (Hey, it's Bill Irwin!) And a company of 9 very talented Philadelphia area artists. (including a friend from Dell'arte, puppeteer and performer Aaron Cromie. He actually won't be in the extended week (he had other commitments) Instead, another Dell'arte friend Dawn Falato will take over as the swing.)

I have some thoughts about the show, if you care to read them....

Like most of Bill's original shows, the play is a meditation on his work in the theatre, and a dialogue between tricks, fear of failure (and success), and the utility of worry.

If people over time begin to resemble their dogs, it's even more true with their shows, direct reflections of what they are thinking about as artists. It's very true with this show-- in some ways it is a direct continuation, extension of Regard of Flight. Regard was newer to me of course, and Bill was even more agile then than he is now (which seems hard to believe), and there are a lot of similar elements to this show, but there are also lots of twists that will have Bill Irwin watchers riveted.

I'm not as fond of the writing and directing of the show as I am of the performance of the show, which (especially for Bill) borders on the virtuosic. His use of his body is fantastic, whether it's a remote control podium gone awry, creation of two cavemen (well, let's not call them that-- let's call them early men) that illustrate a sort of Darwinian Happiness Theory, or performing a beautiful Mr. Noodle piece, Bill is always as precise as a Swiss watch. It's a pleasure to watch him work, although work is the wrong word. He glides fluidly from routine to routine, and that's his genius.

An amazing piece of theatrical genius is in the staging. The use of puppets of Bill Irwin and the creation of multiple focused prosceniums of different sizes and scales borders on the fantastic. The stage shifts several times in scale, and each time does so with precision and ease- it reminded me that the most effective techniques are often the simplest.

And it brings home the constant argument that Bill's shows seems to always have- I've got the clown thing going, but what does it all mean? I'm not 100% sure that there's an answer to that question-- there is a kind of constant narrative about narrative throughout the piece, and a use of theatrical conventions (the pre-show speech, the usher, the audience member placed in peril) that is always pleasant to watch but is not really linear or conducive to the "well-made play."

At the end of the show, I heard a grandmother asking her two teenaged grand-children what they thought of the show.

GRANDMOTHER: Wasn't that marvelous and fun? What did you think?
GRAND-DAUGHTER: I liked it, but it was a little weird. I didn't quite get it.
GRAND-SON: Yeah, it was cool, but I didn't really get it. It was weird.


It wasn't their typical play, but they liked it.

If you'd like to see the show, visit the Philadelphia Theatre Company's Website listed below:

http://www.philadelphiatheatrecompany.org/2008/lecture.html


On a related topic-- Cirque du Soleil was just ending a run of Kooza (directed by Irwin collaborator David Shiner) down the block from the theatre. If I had known, I would have tried to have gotten tickets for both. Kooza's next stop is Chicago, then Boston, then Washington DC.

Labels: , , , ,


Friday, June 13, 2008

FUNAMBOLIKA 2008 (Italy July 5-8)

logo funambolika


locandina Funambolika 2008 is the 2nd edition of the summer circus arts festival particularly focused on clowns, and conceived by Italian clown and director Raffaele De Ritis.
It takes places in Pescara, in the Abruzzo region of Italy, in the open-air Teatro D’Annunzio on the Adriatic beach. This is the same 2000-seats arena where Pescara Jazz, one of the oldest and most prestigious jazz festivals in the world takes place (www.pescarajazz.com). Funambolika is organized by the same company

Last year's festival featured Jango Edwards and David Larible. This year's festival will have three evenings of entertainment:







July 5
DUEL
(Paul Staicu, piano – Laurent Cirade, cello)
The comedy musical revelation of last year’s Edimburgh and Avignon Festival


duel


July 7
PETER SHUB
T
he legendary clown with his solo theatre show “Nice Night for an Evening”

shub


July 8
GRAN GALA DU CIRQUE
Guest star: Andrei Jigalov
An evening of international circus acts (from Monte Carlo Festival, Kiev School, Moscow Circus, Cirque du Soleil appearances) including among others juggler Boul, acrobat Maxim Popazov, contorsionist-swimmer Aqua and others, around a special guest star: clown ANDREI JIGALOV, the king of contemporary russian laughmakers.

gran gala

jiga


Pescara is a ten minute drive from Aereoporto d’Abruzzo (www.abruzzo-airport.it ), and is easily connected to via many major cities. For all other destinations, the Rome Fiumicino airport is 2 hours drive.

For more information visit the following websites:

Funambolika blog: www.funambolika.blogspot.com
General program: www.entemanifestazionipescaresi.it
Myspace: www.myspace.com/funambolika

Tickets: (39) 085-6920057 – (39) 085-4221463
Organization: (39) 085-693093 • (39) 085-4503036

Email: info@entemanifestazionipescaresi.it
Artistic direction: rderitis@hotmail.com

Labels: , , , , , , , , ,


Wednesday, June 11, 2008

Slapsticon- Virginia (July 17-20)

SLAPSTICON is a four-day, international film festival dedicated to classic motion picture comedy! This year, the sixth annual festival will be held from Thursday July 17, through Sunday July 20, at Arlington county's spacious Rosslyn Spectrum Theatre in Arlington, Virginia.


The 6th Annual SLAPSTICON will start off with a triple slap when "The 3 Stooges Rarities Show", begins on Thursday July 17 at 7:00pm. This never-before-seen compendium of home movies, TV clips and other Stooge ephemera (with a few classics thrown in) is not to be missed.

OTHER HIGHLIGHTS INCLUDE:
W.C. Fields' first starring feature, Sally of the Sawdust (1925), directed by D.W. Griffith from Fields' Broadway hit, Poppy (Thursday, July 17 at 9:00 p.m.)

Buster Keaton's rarely screened The Silent Partner made for TV in 1955 and The Scribe (1966), a Canadian industrial film in which 70-year-old Buster walks on construction girders on a windy autumn day just months before his death. (Saturday July 19 at 2:00 p.m.).

Ladies Night in a Turkish Bath (1928) shows how silents could sizzle even before the talkies. Forgotten comedienne Dorothy Mackaill is ripe for a modern-day rediscovery, with Laurel & Hardy foil James ("Doh!") Finlayson in support. (Saturday July 19 at 8:00 p.m.).

The venue, Rosslyn Spectrum was originally built as a movie house in the early 1960's. The newly-renovated theater now has 387 cushioned theater seats - each with folding tables for note-taking critics, or for refreshments (which are allowed inside the theatre)!!

All silent films shown at SLAPSTICON feature LIVE MUSICAL ACCOMPANIMENT by accomplished musicians, Dr. Philip Carli, Ben Model and Andrew Simpson. Each utilize different styles and both have many years of experience in the art of silent film accompaniment.


SLAPSTICON Screenings will occur:
Thursday, July 17, 1:00 p.m. - 12:00 mid.
Friday, July 18 9:00 a.m. - 12:00 mid.
Sat., July 19, 9:00 a.m. - 12:00 mid.
Sunday, July 20, 10:00am - 5:00pm.

COST: $99 for the full four-day festival; $30 per day; $16 half-day.

For more information about Slapstickon 2008 (including a registration form), visit www.slapsticon.org. You may also e-mail info@slapsticon.org or call 703-228-1841.

Labels: , , , ,


Friday, June 6, 2008

Commedia Workshops in L.A.

[via]Corpora & John Achorn Announce Ongoing Worksessions in Commedia dell’Arte
Stage II – A six week intermediate/advanced class exploring character, selected lazzi, & scenarios ~ exploring how to apply commedia to the 21st Century
Monday evenings 7:00~10:00pm @ [via]Corpora Studio
Beginning Monday, June 16 ~ thru July 28

Stage I – A six week introduction to the essential elements of the commedia
style: mask, mime, improvisation, character, physical routines, ensemble.
Saturdays 10:00am – 1:00pm @ [via]Corpora Studio
Saturday, June 28 ~ thru August 2

Cost: $210 ~ Early Registration Discount (before June 9th): $180

Payment information at www.viacorpora.com
Contact: 310-396-3314 or jachorn@yahoo.com
[via]Corpora: 6575 Santa Monica Boulevard Hollywood, CA 90038

John Achorn is a master teacher in commedia dell’Arte, having studied with Carlo Mazzone-Clementi; he was an original member of the Dell-Arte Company and was instrumental in the founding of the renowned Dell’Arte School in Blue Lake CA. Mr. Achorn has taught workshops and classes for over 35 years at such institutions as UCLA, UC Santa Cruz, UC Riverside, University of Redlands, UC San Diego, USC, The Children’s Theatre Company of Minneapolis, ARTEL and the Antaeus Company here in Los Angeles. He is an actor, director and writer.

Saturday, May 31, 2008

Dell'arte MFA program in SF June 13-15

Although this deals with tragedy, and not circus/clowning per se-- the way that Dell'arte trains and deals with tragedy/melodrama is related enough to clown for me to include it here. If you can see the show, check it out and report back!

Between Two Winters
Created by the MFA Ensemble of the Dell'Arte International School of Physical Theatre

Catherine Tuttle, the accomplished and commanding mayor of Kalispell, MT, and her daughter, Naomi, travel to the deserts of Kuwait to honor a hero who was instrumental in extinguishing fires after the war in the Persian Gulf. During the course of the tribute, Catherine and this man recognize one another and now must reconcile a past they both have spent their lives running from. Between Two Winters is the culminating performance of the second year masters students in their study of the Tragic form.

Tragedy is a form that, at its root, pits the rational and ordered world against the world of terror and chaos. It deals with the human drive to step out of the chorus to stand for and proceed into the hero's journey, unwilling to be passive anymore in a world that defies logic and reason. This sets the tragic hero onto an irreversible collision course with the unrelenting forces of fate that result in a crash of cosmic proportions.

Fri, Jun. 13 - 8:00P
Sat, Jun. 14 - 2:30P
Sat, Jun. 14 - 8:00P
Sun, June 15 - 2:30P


At The Magic Theatre
For directions to The Magic Theatre, go to: http://www.magictheatre.org/pages/location.shtml

Call 707-668-5663 to inquire about student, educator and group discounts
For more information, go to: http://dellarte.com/

Labels: , , ,


Friday, May 30, 2008

Laugh Out Loud Festival (NY)-3 more days

Emerging Artists Theatre and Paul Adams, Artistic Director, has been presenting a festival entitled LAUGH OUT LOUD at the Roy Arias Theatre Center, Off-Off Broadway Theatre (300 West 43rd St, 5th floor, NYC). The festival is curated by EAT member. Jenny Lee Mitchell and co-curated by Honey Goodenough and Carol Lee Sirugo. Performances began Tuesday, May 27, 2008, and run through Sunday, June 1, 2008.



Here's what's going on for the next three days.

Friday May 30th, 8pm
Host: Deenie Nast - Lucky you-Deenie Nast, Oscar Winner, 2 time Tony winner and international performance artist will grace the LaughOutLoud Festival with her presence, performing a song-filled tribute to herself.
with:
All Kinds of Shifty Villains - directed by Rachel Klein - carnival noir, blending elements of circus with crime fiction
Mika - diabolo artist and juggler
Carol Lee Sirugo - Gwendolyn Rosa Lee is on a mission: to pay homage to her favorite musical, Gypsy. She wishes she could be Gypsy Rose Lee. She can't. But where talent fails, guts prevail!
The Marriage Of Reason - puppetry by Sean Keohane - "The Marriage of Reason": Originally written for children in 1860s Paris, Polichinelle's battle of the sexes with a content bachelorette isn't only Politically Incorrect, it's just wrong! Naughty, bawdy puppets, religious mysticism, and totally unnecessary slapstick violence.
Film Noir Clowns - Jeff Seal and Chris Manley . Two clowns attempt to recreate a classic film noir tale on stage.

Saturday May 31st, 8pm
Host: The Maestrosities - The Coolest Band Ever! Or so they think!!!
with:
Kendall Cornell as The Torch Singer - The Torch Singer laments love in a comically grand style.
Kendall Cornell's Soon-To-Be-World-Famous Women's Clown Troupe kick up their heels with an assortment of comic song and dance numbers."
Mika - diabolo artist and juggler
Carol Lee Sirugo as Gwendolyn Rosa Lee
Rob Lok

Sunday June 1st, 5pm
Host: Dierdre
with:
Logic Limited Ltd - clown troupe
A Wrinkle in Starch - puppetry by Leslie Strongwater and David Michael Friend
Phillip Guerette as Phildo The Clown
Emergency Use Only - puppetry by Erica Mclaughlin
Four droning strangers are stuck in a subway tunnel when inspiration strikes: they put their personal effects together an a puppet eager to dance emerges to breathe life into an otherwise hapless situation.
Miron Gusso - storytelling and clowning

LAUGH OUT LOUD plays the following regular schedule through Saturday, June 1, 2008:

Tuesday at 7:30 pm
Wednesday at 7:30 pm
Thursday at 7:30 pm
Friday at 8:00 pm
Saturday at 8:00 pm
Sunday at 5:00 pm

Tickets are $10. Advanced tickets are recommended (only 55 tickets available per show). For reservations, please visit www.eatheatre.org, or call 866-811-4111.

Tickets may also be purchased in person half-hour prior to the performance at Roy Arias Theatre Center (300 West 43rd St, 5th floor).

* Running Time: 60 minutes *

All performances include an open Talkback Session with the performer and staff after the show.

Emerging Artists Theatre's mission is to provide a dynamic home for emerging writers and artists, providing the unique opportunity for playwrights to collaborate with directors, actors, and designers throughout the development process--from idea through fully realized production. EAT's supportive environment continues to nurture a close-knit group of artists working toward the common goal of creating dynamic theatre, and its commitment to the development of new works is integral to the cultural enrichment of New York City.

To find out more about Emerging Artists, please visit their website listed below:

http://www.eatheatre.org/

Labels: , , , , , ,


Thursday, May 29, 2008

Authentic Dynamics Workshop: Momentum & Change (NY)

Authentic Dynamics: momentum and change for actors and clowns

Join Under the Table's Matt Chapman on Saturday, July 5 in Brooklyn for a unique physical investigation of the dynamics of the performer

This world works on certain undeniable dynamics. To perform with authenticity, the actor must have the ability to identify and navigate them. In this workshop, a few fundamentals of the stage will be explored, including johakyu ( beginning/middle/end, or how things grow, break, and resolve), minimum-to-maximum, evolution, and the rhythms of comedy. W

This workshop is appropriate for actors, clowns, and directors of all levels. Learn to see human action and comedy onstage more clearly.

Dress to move and bring water.

When: Saturday, July 5, 2008. 1-6:30 pm
Where: Triskelion Arts: 118 N. 11th St, 3rd Floor. (L to Bedford,
Williamsburg, Brooklyn)
Cost: $75 (Limited scholarships are available)
To register, reply by email. Payment holds your slot.
us@underthetabletheatre.org

Note: Class size is limited. If it gets filled up, they'll add a repeat section on Sunday the 6th, so if you're interested in that, let Matt know quickly.
__________________________________________________________

Matt Chapman is a performer, director, and teacher of physical theatre and clown. He is Artistic Director of Brooklyn's Under the Table, a physical theatre ensemble. He also tours as an actor with Dell'Arte International (California).

In the US, Matt has taught Clown and Improvisation as adjunct faculty at Marymount Manhattan College and Manhattanville College in New York, and has taught workshops at New York University, Vassar College, Sarah Lawrence College, Towson University, Luther College, the University of Iowa, the University of North Dakota, the New York Fringe Festival,
and the Carolinian Shakespeare Festival, as well as working in public schools and with the mentally ill in New York care facilities. He has served as an assistant to Ronlin Foreman, Clown master and Director of Pedagogy at Dell'Arte International.

Matt teaches abroad as well; his workshops in the last year have included South Africa, Denmark, the Netherlands, and England.

This past winter and spring, Matt directed "Circus Life," a contemporary circus work about HIV/AIDS in Durban, South Africa, toured the US teaching workshops for Dell'Arte International through the Kennedy Center American College Theatre Festival, and taught Clown workshops in Denmark with the other members of Under the Table while
on tour there. He attended the Dell'Arte International School of Physical Theatre
and received his bachelor's degree from the University of Kansas.

To find out more about Matt's work, please visit the websites listed below:
http://www.underthetabletheatre.org
http://www.clownnosefactory.com

Labels: , , , ,


Friday, May 23, 2008

Edith Tankus

Edith Tankus is an actor, theatre artist and clown living in Canada. An alumnus of L'Ecole Jacques Lecoq and L'Ecole Philippe Gaulier. She is an award-winning actress and clown who has toured North America garnering rave reviews with her one woman show "Not Yet, At All", a lyrical and humorous piece of storytelling and aerial work.

Edith also has a solo clown show for young audiences, "Hurricane Gerty". She is currently touring across Canada playing in schools and Theatre Festivals and charming audiences with her superbly comic performances. A brilliant blend of physical comedy, clown and audience engagement "Hurricane Gerty" is achingly funny and filled with wit and soul.

Edith has worked as Artist in Residence in theatres across Canada where she has performed and led workshops in clown and physical theatre. She is co-founder and co-artistic director of Magpye Theatre and, as part of the Artist in Education Program of the Ontario Arts Council, has taught in numerous elementary and high schools.

She has collaborated with internationally acclaimed touring company Kneehigh Theatre of Cornwall, England and award–winning vaudevillian Tomas Kubinek . Their last collaboration resulted in the Gemini-nominated feature film "Tucked into Bedlam" based on his stage play "Bed", which premiered on CBC's Opening Night.



Currently she is on board with an International Arts Organization, Circus Remedy, whose mandate is to bring acclaimed theatre and circus artists to perform their shows in hospitals and poverty stricken communities all over the world.

She also tours with theatres, and has recently appeared in London with the KneeHigh Theatre's "Rapunzel" .



To find out more about Edith's work, please visit her website listed below:

www.edithtankus.com

Labels: , , ,


Thursday, May 22, 2008

Bill Irwin/ Aaron Cromie podcast

Fascinating hour of conversation about clowning and clowns with Bill Irwin and Aaron Cromie regarding the Happiness Lectures.

http://www.whyy.org/podcast/052208_110630.mp3

Definitely listen to it!

Labels: , , , ,